Titlebook: Cross-Cultural Design. Interaction Design Across Cultures; 14th International C Pei-Luen Patrick Rau Conference proceedings 2022 The Editor

MERIT

生氣地

突襲

https://doi.org/10.1007/978-3-8349-9976-4 enhance cross-cultural encounter among different design disciplines and backgrounds while encouraging both the learners and the tutors to develop innovative and multidisciplinary points of view about the city and the built environment. In this paper, the authors draw a general reflection about how

滴注

Benzodiazepines

How Does It Feel? Odor-Evoked Emotion Among Chinese People, interviews and the Emotion and Odor Scale) and physiological measurements (i.e., electromyography and skin conductance) were used to evaluate emotional responses evoked by 12 different odors. Twelve Chinese participants and 12 German participants were invited to participate in this experiment. Cul

確定無疑

misanthrope

Rethinking Demand: An Active Design Framework and Tools for Sustainability from ‘Demand-Side’ Perspe of circular economy), Zone A: 1. Design out waste and pollution; 2. Keep products and materials in use; 3. Regenerate natural systems. Zone B: 4. Design Material Out. Zone C: 5. Design a system that stimulating self-actualization and contribution.

招惹

牢騷

Future Experience Boundary and Interaction Design Integration Pathe concept of meta-cosmic society, and discusses the thinking of the boundary definition in the future context, it is hoped that this discussion will provide a valuable perspective for interaction design to be integrated into the new experience pattern in the future.

laceration