Titlebook: Critical Essays on Twin Peaks: The Return; Antonio Sanna Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licens

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glamor

Is It Happening Again? , and ‘,’ of Historyming that the show’s third season poses a distinct challenge to existing models of conceiving of history as a series of representable events or as a space which can be eventually (re)occupied. In this sense, . becomes an epistemic problem staged over the course of more than two decades of American h

壓碎

Extraterrestrial Intelligences in the Atomic Age: Exploring the Rhetorical Function of Aliens and thuclear testing. While the relationship between aliens and nuclear sites is of interest to conspiracy theorists, and folklorists have long discussed the relationship between spiritual transcendence and extraterrestrial visitations, Frost and Lynch explore some of these connections in new ways—suggest

Demulcent

Lucy Finally Understands How Cellphones Work: Ambiguous Digital Technologies in , and Its Fan Communchnology plays an ambiguous and often fruitless role in solving the season’s mysteries and resolving its conflicts. The chapter also considers analog technology in the two original seasons of . and that technology’s associations with nostalgia and comfort, and it analyzes David Lynch’s flight from s

故意釣到白楊

作繭自縛

‘Is It About the Bunny? No, It’s Not About the Bunny!’: David Lynch’s Fandom and Trolling of Peak TVes run made possible. Where fans could originally work together to find ‘closure’ beneath the layers of television shows, this new . ‘trolls’ that desire, instead offering repeated scenes of anti-climactic mundanity. McAvoy argues that David Lynch’s trolling leverages disappointment and boredom into

作繭自縛

‘Between Two Mysteries’: Intermediacy in d becoming. This short journey through certain aspects of . examines the particular way Lynch merges observable material reality with abstraction and immaterial activity. The term/concept of intermediacy frames the primary dramatic action and theme of .. After outlining the apparent circumstances an

激怒某人

隱藏

‘Here’s to the Pie That Saved Your Life, Dougie’: The Weird Realism of man agency and relationships as they are by the quasi-agency of the non-human object world. From its mystical artifacts to the objectification of its characters, Coogan argues that Lynch’s world is one which rejects the correlationism of phenomenological thought and embraces a perspective which draw

FACT

Movement in the Box: The Production of Surreal Social Space and the Alienated Bodynd cultural space that has become ever more surreal as inhabitants’ lives are increasingly mediated through the screen (the box). The chapter explores Lynch’s mapping of modern America as a confusing space, with residents who have become, like the creature that manifests in the box, dehumanized figu