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Titlebook: Critical Approaches to the Fiction of Thomas Hardy; Dale Kramer (Professor of English) Book 1979 Palgrave Macmillan, a division of Macmill

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書目名稱Critical Approaches to the Fiction of Thomas Hardy
編輯Dale Kramer (Professor of English)
視頻videohttp://file.papertrans.cn/240/239898/239898.mp4
圖書封面Titlebook: Critical Approaches to the Fiction of Thomas Hardy;  Dale Kramer (Professor of English) Book 1979 Palgrave Macmillan, a division of Macmill
出版日期Book 1979
關(guān)鍵詞fiction; history of literature; literature; nineteenth century; Thomas Hardy; twentieth century
版次1
doihttps://doi.org/10.1007/978-1-349-03780-3
isbn_ebook978-1-349-03780-3
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1979
The information of publication is updating

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A New View of Bathsheba Everdene,d suffering from a vain, egotistical girl into a wise, sympathetic woman.. There is something to this view, for apparently at least Bathsheba changes for the better between the beginning and end of the novel. She learns to sympathise with Fanny Robin, seeks to make amends to Farmer Boldwood, and mar
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Hardy the Creator: ,,uscript and the various printed versions, and to a great extent this essay is no exception. But there is also another, not less important if less dramatic, element in the development of Hardy’s fiction. This shows Hardy acting in ways that may be duplicated (generally speaking) in all his work. The
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Tree and Machine: ,,thologised and mechanistic world: ‘The “Ma- chine of the Universe,” — alas, do but think of that in contrast!’ The same reduction of myth to machine haunts The Woodlatiders. Hardy laments a lost mythology as well as the rape of the woods by rootless predators from the modem world. The novel is perva
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