Titlebook: Critical Approaches to the Fiction of Margaret Laurence; Colin Nicholson (Senior Lecturer) Book 1990 Palgrave Macmillan, a division of Mac

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觀察

Critical Approaches to the Fiction of Margaret Laurence978-1-349-10092-7

侵略者

悠然

J. J. Gilligan,A. W. Castleman Jr.A sensitive and challenging definition of the maternal emerges that renews the concept for modern times and yet links it with the biblical woman whose children rise up and call her blessed. Laurence’s focus encompasses not only an external, forceful and easily recognised social reality, but also a r

Bumptious

Allergic

Allergic

不能妥協(xié)

Images in Stones, Images in Words,al ground — and of the novel’s major semantic polarities. We are in a sense reassured: so that is what the title refers to — this marble statue ‘brought from Italy at great expense’, erected in memory of the narrator—protagonist’s mother.

獨(dú)行者

facilitate

,The Realism of Laurence’s Semi-Autobiographical Fiction, the simple statement that, There is a lot of history in my fiction.’. The distrust of ‘theorising’ and the assimilation of fiction to history indicate an uncompromising commitment to a realistic procedure. This commitment, which deserves closer analysis, is most evident in the collection of stories