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Titlebook: Crisis Reporters, Emotions, and Technology; An Ethnography Johana Koti?ová Book‘‘‘‘‘‘‘‘ 2019 The Editor(s) (if applicable) and The Author(s

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樓主: 大口水罐
11#
發(fā)表于 2025-3-23 13:07:16 | 只看該作者
Jan Louisporters’ emotional experience, and the role of newsmaking technology in shaping of the experience. The fictional story in this chapter is located at an airport. The readers get acquainted with the main character James, a fictional journalist.
12#
發(fā)表于 2025-3-23 17:15:42 | 只看該作者
13#
發(fā)表于 2025-3-23 20:11:54 | 只看該作者
,Grundlagen der W?rmeübertragung,he forms of subjectivity that are most appropriate to the practice of crisis reporting. The fictional narrative revolves around James’ growing nervousness: he focuses more and more on his professional task and his experience becomes gradually determined by his job.
14#
發(fā)表于 2025-3-24 02:06:17 | 只看該作者
Chris Biemann,Gerhard Heyer,Uwe Quasthoffthor highlights the potential of narrative journalism. The fictional part of the narrative ends with James’ role model giving him a helping hand, thus stressing the importance of assistance from more senior reporters.
15#
發(fā)表于 2025-3-24 03:08:01 | 只看該作者
16#
發(fā)表于 2025-3-24 08:49:21 | 只看該作者
17#
發(fā)表于 2025-3-24 14:27:11 | 只看該作者
The Emotional Experience of Crisis Reporters: The Journey, reporters’ coping strategies and criticizes media organizations for not taking responsibility. Throughout this chapter, James goes through ordinary air experiences such as turbulences, joking with neighbors and drinking a beer, each serving as a metaphor for a corresponding topic within the empirical material.
18#
發(fā)表于 2025-3-24 18:02:42 | 只看該作者
,Articulating Journalists’ Emotional Experiences of Crisis: Touching Down,he forms of subjectivity that are most appropriate to the practice of crisis reporting. The fictional narrative revolves around James’ growing nervousness: he focuses more and more on his professional task and his experience becomes gradually determined by his job.
19#
發(fā)表于 2025-3-24 22:01:20 | 只看該作者
20#
發(fā)表于 2025-3-25 00:17:33 | 只看該作者
Creative Nonfiction and the Research Method,ch process, following four stages: establishing the field, immersion in the research problem, disentanglement, and return to the field. Koti?ová also addresses the epistemology and methodology of studying emotions, and the opportunistic, multi-sited, and participatory logic of the research design.
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