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Titlebook: Criminology, Deviance, and the Silver Screen; The Fictional Realit Jon Frauley Book 2010 Jon Frauley 2010 crime.criminology.education.patho

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發(fā)表于 2025-3-21 16:35:54 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Criminology, Deviance, and the Silver Screen
副標(biāo)題The Fictional Realit
編輯Jon Frauley
視頻videohttp://file.papertrans.cn/240/239807/239807.mp4
圖書封面Titlebook: Criminology, Deviance, and the Silver Screen; The Fictional Realit Jon Frauley Book 2010 Jon Frauley 2010 crime.criminology.education.patho
描述This text argues for the usefulness of fictional realities for criminological theorizing and analysis. It illustrates that a creative and critical social scientific practice requires craft norms rather than commercial norms that threaten to completely colonize higher education.
出版日期Book 2010
關(guān)鍵詞crime; criminology; education; pathology
版次1
doihttps://doi.org/10.1057/9780230115361
isbn_softcover978-1-349-37886-9
isbn_ebook978-0-230-11536-1
copyrightJon Frauley 2010
The information of publication is updating

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發(fā)表于 2025-3-21 22:10:59 | 只看該作者
WCLF Tax und IP Gespr?chsband 2019works for helping guide analysis and interpretation. One such nontraditional object is the “fictional reality.” Fictional realities are fictional social realities, such as those found in novels and film. There is a precedent for the analytical and pedagogical use of “fictional realities” in criminol
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Eduardus Koenders,Kira Weise,Oliver Vogtarrived nor is he departing by train. He is simply there. He claims to be Prot (Prōt), an observer from another planet. The police, there in response to a mugging, question Prot and hastily determine that he is delusional and that he requires evaluation by medical experts. He is sent to the Manhatta
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Eduardus Koenders,Kira Weise,Oliver Vogtndividual” (self-regulation and social interaction). . is a tale of authoritarian rule, the triumph of the human spirit over adversity, and social injustice. At the interactionist level, . is a case study in what Erving Goffman called the “management of spoiled identity” (1963). Jerome Morrow is Nav
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