Titlebook: Crime and Music; Dina Siegel,Frank Bovenkerk Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springe

indignant

BAIT

: Music in Nazi Death Camps were led to the gas chambers. By taking a critical look at different versions of this story that have been and continue to be told in the press, in books, on the internet, and in social media, an attempt will be made to separate myth from reality and to sort out what this myth tells us about the ro

RODE

The Music Act of “Kosovo” and Its Semantic Resonances in International Criminal Trials: An Oral Epicommunications on the perpetrators can determine the ultimate issue in a trial. In this regard, various elements of music have always been a critical but underestimated factor in the perpetration of mass atrocity crimes. Music, as language, has the capacity to communicate information and prompt actio

aspect

礦石

The Malleable and Inevitable Path of Demonizing (Sub)Culture: The Case of Greek Rebetiko societal ramifications. The genre has come to symbolize in the beginning of the twenty-first century an indispensable aspect of the Greek identity. However, before that widespread acceptance, rebetika and rebetes endured a profound marginalization—from the State, the media, and the intelligentsia o

Tonometry

grieve

手段

Hans-Joachim Roth,Tim Wolfgartenmmer. Thus, it was easier to enforce new ideas with regard to the origins of music (the so called “aryanization”) as to style and technique (a ban on jazz, atonality, serialism, etc.). The German culture had to be cleansed of all foreign elements. The exhibition “entartete Musik,” in May 1938, in Dü

Condyle

DUCE