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Titlebook: Creativityin Theatre; Theory and Action in Suzanne Burgoyne Book 2018 Springer International Publishing AG, part of Springer Nature 2018 Ed

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發(fā)表于 2025-3-25 06:07:14 | 只看該作者
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發(fā)表于 2025-3-25 09:42:14 | 只看該作者
,über die Auswirkungen des ?übersehenen“,’s extensive work with spontaneous role playing resulted in the development of the theory of spontaneity–creativity in which spontaneity, described as an unconservable energy, is seen as the catalyst of the creative process. His first endeavor was establishment of an alternative theater in which dra
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發(fā)表于 2025-3-25 15:29:38 | 只看該作者
,über die Auswirkungen des ?übersehenen“,lutions to collective problems. With its focus on ensemble development, drama education is an attractive training ground for this kind of transformation. In the theatre, the ensemble is not just a collection of individual actors, but is the unit that comes together for the performance to be successf
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發(fā)表于 2025-3-25 19:36:50 | 只看該作者
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發(fā)表于 2025-3-25 22:08:28 | 只看該作者
Creativityin Theatre978-3-319-78928-6Series ISSN 2509-5781 Series E-ISSN 2509-579X
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發(fā)表于 2025-3-26 03:16:38 | 只看該作者
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發(fā)表于 2025-3-26 09:56:54 | 只看該作者
Suzanne BurgoyneFirst collection exploring how drama education facilitates creativity enhancement.Presents a variety of disciplinary perspectives.Includes theory, research, and pedagogical practices
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發(fā)表于 2025-3-26 14:18:41 | 只看該作者
Creativity Theory and Action in Educationhttp://image.papertrans.cn/c/image/239594.jpg
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發(fā)表于 2025-3-26 20:51:48 | 只看該作者
The Actor’s Real Role on the?Production Team creative endeavor. A detailed analysis of the acting process will reveal that, from the first reading to the final public performance, an actor must create the “l(fā)ive” aspect of the play in terms of amplifying and communicating the deep meaning he or she finds behind the literal words. This communic
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