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Titlebook: Creativity in Music Education; Yukiko Tsubonou,Ai-Girl Tan,Mayumi Oie Book 2019 Springer Nature Singapore Pte Ltd. 2019 Collaborative Lear

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樓主: Dopamine
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發(fā)表于 2025-3-28 14:58:35 | 只看該作者
42#
發(fā)表于 2025-3-28 19:52:38 | 只看該作者
,Werkstoffe für den Vorrichtungsbau,he performance practice of the Baroque and Classical periods. Great composers such as J. S. Bach, Mozart and Beethoven were highly skilled accomplished master improvisers and teachers of improvisation.
43#
發(fā)表于 2025-3-29 02:56:17 | 只看該作者
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發(fā)表于 2025-3-29 06:22:58 | 只看該作者
Toward Ecological Music Education: Thinking from the Batesonian–Deleuzian Viewss views of ecological music education from the perspectives of Batesonian–Deleuzian. In the third part, the author discusses how to conceptualize ecological music education as a creative paradigm of music education.
45#
發(fā)表于 2025-3-29 11:01:16 | 只看該作者
Soundscape, Sound Education, and the Grain of the Music: Experiencing the Luminousness of Music Bein, the so-called mimesis, was a literary account wherein music was interpreted and valued by words. Both Plato and Aristotle assumed that language and its meaning were capable of explaining musical meaning and thus capable of accounting for musical understanding.
46#
發(fā)表于 2025-3-29 14:06:45 | 只看該作者
Rethinking Takemitsu Through Creative Music Activities: Application of the Materials in His Piano Muon in that age. The author also examines models of creative music activities employing Takemitsu’s compositions. These models include the most recent case of elementary school textbook and an actual document of an elementary school music class. The author presents the original analyses of some of his piano works.
47#
發(fā)表于 2025-3-29 17:10:22 | 只看該作者
48#
發(fā)表于 2025-3-29 22:35:51 | 只看該作者
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發(fā)表于 2025-3-30 03:39:47 | 只看該作者
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發(fā)表于 2025-3-30 05:35:49 | 只看該作者
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