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Titlebook: Creativity and the Philosophy of C.S. Peirce; Douglas R. Anderson Book 1987 Springer Science+Business Media B.V. 1987 Charles Sanders Peir

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書(shū)目名稱Creativity and the Philosophy of C.S. Peirce
編輯Douglas R. Anderson
視頻videohttp://file.papertrans.cn/240/239582/239582.mp4
叢書(shū)名稱Martinus Nijhoff Philosophy Library
圖書(shū)封面Titlebook: Creativity and the Philosophy of C.S. Peirce;  Douglas R. Anderson Book 1987 Springer Science+Business Media B.V. 1987 Charles Sanders Peir
描述Charles Sanders Peirce is quickly becoming the dominant figure in the history of American philosophy. The breadth and depth of his work has begun to obscure even the brightest of his contemporaries. Concerning the interpretation of his work, however, there are two distinct schools. The first holds that Peirce‘s work is an aggregate of important but disconnected insights. The second school argues that his work is a systematic philosophy with many pieces of the overall picture still obscure or missing. It is this second view which seems to me the most reasonable, in part because it has been convincingly defended by other scholars, but most importantly because Peirce himself described his philosophy as systematic: What I would recommend is that every person who wishes to form an opinion concerning fundamental problems should first of all make a complete survey of human knowledge, should take note of all the valuable ideas in each branch of science, should observe in just what respect each has been successful and where it has failed, in order that, in the light of the thorough acquaintance so attained of the available materials for a philosophical theory and of the nature and strength
出版日期Book 1987
關(guān)鍵詞Charles Sanders Peirce; argue; creativity; evolution; history; history of literature; human knowledge; inte
版次1
doihttps://doi.org/10.1007/978-94-015-7760-1
isbn_softcover978-90-481-8305-0
isbn_ebook978-94-015-7760-1Series ISSN 0168-5090
issn_series 0168-5090
copyrightSpringer Science+Business Media B.V. 1987
The information of publication is updating

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Creative Evolution, a normative science in analogy to science as a logic of inquiry. This, of course, is not to say that I have avoided psychological description. Any discussion of thought processes, as Peirce admitted, must involve some element of psychological description. Nevertheless, from within the Peircean arch
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Martinus Nijhoff Philosophy Libraryhttp://image.papertrans.cn/c/image/239582.jpg
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978-90-481-8305-0Springer Science+Business Media B.V. 1987
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Scientific Creativity,y, it is important that I begin with a thorough description of Peircean scientific creativity. That Peirce believed in scientific creativity seems indisputable; indeed, at times it seemed the idea that most held his attention in studying the ways of scientific inquiry. In 1896 Peirce wrote the following note:
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