Titlebook: Creativity and Cultural Production; Issues for Media Pra Phillip McIntyre Book 2012 Palgrave Macmillan, a division of Macmillan Publishers

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Bio-Psychological Perspectivesthe myths associated with ideas of genius (Sawyer 2006, pp. 18–27), and it can be seen, for example, that these myths informed early work on creativity by figures such as Lombroso and Freud. The central narratives implicitly held in these intellectual traditions draw in some instances on notions of

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Agency and Structure: The Case of Radioy proposed by Mihaly Csikszentmihalyi. I have also argued that this model is similar in many ways to the ideas on cultural production developed by Pierre Bourdieu. While they are certainly not identical, both of these views appear to displace the notion of the individual being at the centre of creat

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Photography: Art, Craft and Their Symbiosisular form of cultural production attempted to view itself as an art form. The creative process of the director in particular was seen to be vital to this theory. In many ways this theory was, for film, an attempt to move away from the view that film-making was a collective enterprise based on the cr

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Popular Music: Creativity and Authenticityf is a culturally specific and somewhat anachronistic one. When we also shine the light of enquiry onto Western popular music we can see that this conception of ‘Art’, as a foundational and often unquestioned assumption linked to notions of creativity by those working within popular music, has led t