Titlebook: Creative Writing; A Practical Guide Julia Casterton Textbook 1986Latest edition Macmillan Publishers Limited 1986 creative writing.energy.s

冠軍

書目名稱Creative Writing影響因子(影響力)




書目名稱Creative Writing影響因子(影響力)學科排名




書目名稱Creative Writing網(wǎng)絡公開度




書目名稱Creative Writing網(wǎng)絡公開度學科排名




書目名稱Creative Writing被引頻次




書目名稱Creative Writing被引頻次學科排名




書目名稱Creative Writing年度引用




書目名稱Creative Writing年度引用學科排名




書目名稱Creative Writing讀者反饋




書目名稱Creative Writing讀者反饋學科排名

繼承人

The Space We Inhabit,I find that many new writers’ stories and poems seem to occur in a spatial and social vacuum: the writer launches straight into an account of action, ideas, thoughts, feelings, without giving any clear sense of where all this is taking place. The result is that the reader feels lost — because the wr

自愛

Making your Characters Speak,p to himself there?’ In our everyday lives we learn about people in many ways: the way they eat, their clothes, their scent, their movements, the way they hold themselves. But speech is one of the most revealing aspects of a person. We listen to the tone of their voice. Does it rankle and jar or do

路標

ALT

Speaking in Different Tongues, Different Tones,n ear for the rhythms of speech. But what if you have more than one writing voice? (You have.) What if there are several voices inside you, all waiting to be heard? (There are.) If you think about your own personality, you will recognise that even your conscious self is composed of different facets.

Rodent

Developing your Narrative, to jump, for though I know there are new novels that succeed, I am at something of a loss to describe, in reasonable critical terms, . they succeed. The novels that have moved me most (Tillie Olsen’s ., F. M. Mayor’s ., Alice Walker’s .) leave me with the impression that a miracle has happened — a

Rodent

得罪

atrophy

使激動