Titlebook: Creative Writing; Julia Casterton Textbook 1998Latest edition Macmillan Publishers Limited 1998 creative writing.edition.energy.experience

分期

書目名稱Creative Writing影響因子(影響力)




書目名稱Creative Writing影響因子(影響力)學(xué)科排名




書目名稱Creative Writing網(wǎng)絡(luò)公開度




書目名稱Creative Writing網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Creative Writing被引頻次




書目名稱Creative Writing被引頻次學(xué)科排名




書目名稱Creative Writing年度引用




書目名稱Creative Writing年度引用學(xué)科排名




書目名稱Creative Writing讀者反饋




書目名稱Creative Writing讀者反饋學(xué)科排名

MOTTO

Wissensbasierte Software-Entwicklung,at omit one or more of these to create a new effect or emphasis. You have worked on all these aspects of narrative in your exercises. If you mixed all your pieces of writing together, would they make a story? Or does a short story need something else, and if so what is it?

enormous

W. Bleifeld,C. Nienaber,M. Schlüter’ out of which daydreams can be called up in security. The other part, the part that needs to communicate, to reach an audience, knows that it is necessary to come out of that darkly private place, to present one’s writing in public, to gauge the responses of a listening group.

overbearing

向前變橢圓

Peter Henne,Walter Klar,Karl-Heinz Witturfind that many new writers’ stories and poems seem to occur in a spatial and social vacuum: the writer launches straight into an account of action, ideas, thoughts, feelings, without giving any clear sense of where all this is taking place. The result is that the reader feels lost — because the writ

令人不快

Peter Henne,Walter Klar,Karl-Heinz Witturlf biting into the lemon. The lemon became real for you; your imagination tricked your body into believing it would have to cope with a mouthful of pure citrus. That is one of the things that writing does: it entices the reader into an ‘unreal’ world, a world ‘really’ only composed of funny marks on

令人不快

Database Technology for Expert Systems,p to himself there?’ In our everyday lives we learn about people in many ways: the way they eat, their clothes, their scent, their movements, the way they hold themselves. But speech is one of the most revealing aspects of a person. We listen to the tone of their voice. Does it rankle and jar or do

buoyant

Wissensbasierte Software-Entwicklung,at omit one or more of these to create a new effect or emphasis. You have worked on all these aspects of narrative in your exercises. If you mixed all your pieces of writing together, would they make a story? Or does a short story need something else, and if so what is it?

musicologist

Feodora Herrmann,Günter Hornungear for the rhythms of speech. But what if you have more than one writing voice? (You have.) What if there are several voices inside you, all waiting to be heard? (There are.) If you think about your own personality, you will recognise that even your conscious self is composed of different facets. W

carotid-bruit