Titlebook: Creative Selves / Creative Cultures; Critical Autoethnogr Stacy Holman Jones,Marc Pruyn Book 2018 The Editor(s) (if applicable) and The Aut

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Grating

Troubling Autoethnography: Critical, Creative, and Deconstructive Approaches to Writingproached as a troubling textual space where writer(s) and reader(s) meet and touch, momentarily, or are repelled, where affect moves and the material things and events of the world bump up against each other in unpredictable ways. The chapter samples six specific experiments in writing risky, relati

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榮幸

Nucleate

Writing Sensation: Critical Autoethnography in Posthumanismvarious posthuman(ist)and new materialist approaches. With a focus on writing sensation, Dickinson weaves human and nonhuman frameworks throughout her own experience of object awareness, circulation, and material/sensorial phenomena. By writing about objects within her own life, she suggests the pos

植物學(xué)

Mind and Matter: (Re)membering, Performing, and Beingcumentation of these moments. She writes them down on sticky notes, and she uses these mobile memory reminders to keep her grounded and rooted in the present by reconsidering the past. Not only does she revisit important revelations in her life, but she is reminded of the ways her experiences are in

植物學(xué)

Mother-Poems: Using the Confessional as Critique in Autoethnographic Poetryfalse binary between private and public conceptions of relationships. The use of confessional poetry as autoethnography provides a method for researcher poets to critique taken-for-granted social structures that disempower and present fully embodied ways of being. I discuss how writing mother-poems

形狀

rectocele

Palliation