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Titlebook: Creative Industries Switzerland; Facts – Models – Cul Christoph Weckerle,Manfred Gerig,Michael S?nderman Book 2008Latest edition Birkh?user

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樓主
發(fā)表于 2025-3-21 17:39:54 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Creative Industries Switzerland
副標(biāo)題Facts – Models – Cul
編輯Christoph Weckerle,Manfred Gerig,Michael S?nderman
視頻videohttp://file.papertrans.cn/240/239512/239512.mp4
概述Includes the latest data on the creative industries in Switzerland in comparison to Europe.Model-based approaches facilitate the development of strategic action plans.Specific analysis of the creative
圖書(shū)封面Titlebook: Creative Industries Switzerland; Facts – Models – Cul Christoph Weckerle,Manfred Gerig,Michael S?nderman Book 2008Latest edition Birkh?user
描述.Policy makers at all levels are discovering the notion of creative industries: the music industry, literature and book market, art market, film and television industries, performing arts, design, architecture, advertising, software / computer games - from economic and innovation strategies to education policy and urban development, the creative industries are being described as a model for success. However, strategies for real, practical implementation remain vague. ..This publication provides a greatly needed overview of the concepts and specific characteristics of this sector. It analyzes the international discourse, presents up-to-date empirical-statistical Europe-wide analyses, derives models and draws conclusions for the current debate in Switzerland, and places special emphasis on the innovative potential of the creative scene and its dynamics for the entire creative industry..
出版日期Book 2008Latest edition
關(guān)鍵詞Industrie; Innovation potential; International discourse; architecture; computer games; design; innovation
版次1
doihttps://doi.org/10.1007/978-3-7643-8183-7
copyrightBirkh?user Basel 2008
The information of publication is updating

書(shū)目名稱Creative Industries Switzerland影響因子(影響力)




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沙發(fā)
發(fā)表于 2025-3-21 23:56:43 | 只看該作者
Recommendations for Providing Financial Support to the Creative Scene,el is made operational in terms of a funding model [7.2]. Next, a specific funding model is developed for the creative scene [7.3] and explained in its various dimensions [7.3.1–7.3.5]. The chapter concludes with a concrete example of the recommended approach to funding [7.4].
板凳
發(fā)表于 2025-3-22 03:17:27 | 只看該作者
地板
發(fā)表于 2025-3-22 08:11:48 | 只看該作者
of strategic action plans.Specific analysis of the creative.Policy makers at all levels are discovering the notion of creative industries: the music industry, literature and book market, art market, film and television industries, performing arts, design, architecture, advertising, software / compu
5#
發(fā)表于 2025-3-22 08:59:23 | 只看該作者
6#
發(fā)表于 2025-3-22 13:58:28 | 只看該作者
,Monet?re Fiskaltheorie und -politik,el is made operational in terms of a funding model [7.2]. Next, a specific funding model is developed for the creative scene [7.3] and explained in its various dimensions [7.3.1–7.3.5]. The chapter concludes with a concrete example of the recommended approach to funding [7.4].
7#
發(fā)表于 2025-3-22 17:15:27 | 只看該作者
Book 2008Latest editionelevision industries, performing arts, design, architecture, advertising, software / computer games - from economic and innovation strategies to education policy and urban development, the creative industries are being described as a model for success. However, strategies for real, practical impleme
8#
發(fā)表于 2025-3-22 22:30:26 | 只看該作者
,Monet?re Fiskaltheorie und -politik,remains ambiguous and difficult to graps in content, structure, or empirically. This introductory section attempts to systematize the most important approaches and models and to develop criteria for a strategic discussion on the subject.
9#
發(fā)表于 2025-3-23 02:05:49 | 只看該作者
10#
發(fā)表于 2025-3-23 06:04:51 | 只看該作者
,Monet?re Fiskaltheorie und -politik,could be treated a cohesive business form, and even though its sheer number forms a sizable share of the creative industries economy. This chapter compensates for this omission and launches the concept of funding of the creative industries as funding also the creative scene.
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