Titlebook: Creative Compassion, Literature and Animal Welfare; Michael J. Gilmour Book 2020 The Editor(s) (if applicable) and The Author(s), under ex

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theta-waves

粗野

Eating Meat, Eating Misery,tion is a recurring subject in literature with a welfare agenda. Authors picking up the topic occasionally develop comparisons between carnivorous animals that consume other animals to survive, and humans that often kill in excess and for pleasure. Writers also call attention to ways gender expectat

Irascible

Lessons on Animals and Science with Doctor Rat,Stories about vivisection are particularly valuable as a form of education. Laboratories are not public spaces, so few have direct knowledge about ways animals suffer in them. Creative writers take us there, often raising troubling questions about our self-serving sacrifice of other animals. This ch

Emg827

露天歷史劇

露天歷史劇

The Mark of Cain: Human Hunters and Animal Predators, Our bodies also tear, break and bleed like those of hunted animals, and we too know what it is to be constantly wary of mortal dangers. At the same time, such stories reveal our capacity for violence, often in unsettling ways. Whereas animals kill other animals for food or in self-defence, humans o

沙草紙

Cerumen

ANIM

,It’s a Bad World for Animals: Activism and Sentimental Literature,forms of argumentation. Richard Adams is aware of such charges and anticipates the critics’ complaints in his novel . (1977). This chapter explores ways Adams responds to their concerns while building a compelling case against vivisection.