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Titlebook: Craftivism and Yarn Bombing; A Criminological Exp Alyce McGovern Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive

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發(fā)表于 2025-3-21 19:29:04 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Craftivism and Yarn Bombing
副標題A Criminological Exp
編輯Alyce McGovern
視頻videohttp://file.papertrans.cn/240/239273/239273.mp4
概述Redresses the omission of craftivism from criminological analyses of protest and direct action.Draws on ethnographic fieldwork, including interviews with yarn bombers and craftivists.Analyses of a ran
叢書名稱Critical Criminological Perspectives
圖書封面Titlebook: Craftivism and Yarn Bombing; A Criminological Exp Alyce McGovern Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive
描述.This book explores the use of handmade crafts as a vehicle for protest. Craftivism has experienced a resurgence in recent years, often in direct response to the social, environment and political concerns of those who engage in the practice. Acts of craftivism raise important questions for criminologists about the use of public space, power, and resistance. McGovern focuses on an example of the ‘craftivist’ movement that has been steadily gaining momentum since the early to mid-2000s: yarn bombing. As an urban craft movement that melds the skills of knitting or crochet with the act of graffiti, yarn bombing has the potential to contribute to criminological understandings of graffiti and street art, particularly on issues of gender, perceptions of and motivations for graffiti, and the commodification of crime. Drawing on interviews with yarn bombers and craftivists, .Craftivism and Yarn Bombing. explores how such acts can be understood and explored through a criminological lens,and will be of interest to students and scholars across a range of disciplines, including criminology, sociology, cultural studies, gender studies, and urban studies.?.
出版日期Book 2019
關鍵詞protest; activism; environment; climate change; urban studies; criminology; criminological theory; policing
版次1
doihttps://doi.org/10.1057/978-1-137-57991-1
isbn_ebook978-1-137-57991-1Series ISSN 2731-0604 Series E-ISSN 2731-0612
issn_series 2731-0604
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Limited,
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 23:55:00 | 只看該作者
Association Rules and Sequential Patternsd in the book, the chapter establishes craftivism and yarn bombing as important sites for criminological enquiry. The chapter also considers the potential benefits of participatory politics for the discipline, before outlining the structure and format of the book.
板凳
發(fā)表于 2025-3-22 02:29:53 | 只看該作者
地板
發(fā)表于 2025-3-22 07:51:29 | 只看該作者
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發(fā)表于 2025-3-22 11:53:56 | 只看該作者
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發(fā)表于 2025-3-22 13:39:03 | 只看該作者
Crafty Crimes: The Criminology of Craftivism,In this final chapter I reflect on the importance of creative endeavours in drawing attention to matters of social justice and consider what lessons criminologists can take away from broadening their horizons when it comes to examining the intersections between creativity, culture, and crime.
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發(fā)表于 2025-3-22 20:13:13 | 只看該作者
Association Rules and Sequential Patternsd in the book, the chapter establishes craftivism and yarn bombing as important sites for criminological enquiry. The chapter also considers the potential benefits of participatory politics for the discipline, before outlining the structure and format of the book.
8#
發(fā)表于 2025-3-22 22:49:02 | 只看該作者
Drucker einrichten und verwalten,ailed thematic account of contemporary and significant examples of craftivism, the chapter establishes the long history of crafts as tools for activism and advocacy. Advancing the work of Greer (., .) and Pentney (.), the chapter also proposes three logics of craftivist practice—personal, community,
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發(fā)表于 2025-3-23 04:59:42 | 只看該作者
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發(fā)表于 2025-3-23 05:59:16 | 只看該作者
Fernzugriff einrichten und verwalten, bombing, the chapter explores some of the reasons why yarn bombing may not attract the attention of law enforcement in the same way other forms of graffiti do, before considering what yarn bombers had to say about the (street) art/graffiti divide. Following this, the chapter looks more closely at h
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