Titlebook: Craft and the Creative Economy; Susan Luckman Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 craft.creative

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Goblet-Cells

Craft Revival: The Post-Etsy Handmade Economy,ny ways it is inevitable that these paths cross. Within the space of a single week I came across two separate instances where yarn-based craft was employed to market alcohol. The first was the unlikely sight of a crocheted label on a draught cider tap for Matilda Bay’s Dirty Granny Matured Apple Cid

Fabric

,Material Authenticity and the Renaissance of the Handmade: The Aura of the Analogue (or ‘The Enchanngside an attention to the material, the tactile, not to mention the hands that work upon matter. It is certainly true that ‘[d]igital media radically transform both the cultural object and the subject position of the consumer’ (Poster 2004, p. 417), but in regard to crafts I would posit that they a

女上癮

Craft Micro-Enterprise, Gender and Work-Life Relationships,hip between work and other aspects of life. So while home working has long been identified as a gendered phenomenon (Jurik 1998, p. 8), working from home today is a particularly attractive option for women accustomed to paid work, but now also finding themselves with caring responsibilities within t

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厚顏

ERINNERUNGEN an Wolfgang Gentner items (as was the case, for example, for the Arts and Crafts Movement; see Luckman 2012). The contemporary handmade economy is enabled by a very different intersection of the local with the global in the form of the international marketing and distribution pathways enabled by the ‘long tail’ of int

厚顏

Die Narben im Antlitz der Himmelsk?rperny ways it is inevitable that these paths cross. Within the space of a single week I came across two separate instances where yarn-based craft was employed to market alcohol. The first was the unlikely sight of a crocheted label on a draught cider tap for Matilda Bay’s Dirty Granny Matured Apple Cid

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