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Titlebook: Cosmos, Values, and Consciousness in Latin American Digital Culture; Angelica J. Huizar Book 2020 The Editor(s) (if applicable) and The Au

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書目名稱Cosmos, Values, and Consciousness in Latin American Digital Culture
編輯Angelica J. Huizar
視頻videohttp://file.papertrans.cn/239/238972/238972.mp4
概述Addresses the intersections between quantum mechanics, the technologies of electronic literatures, and metaphysical discourses in the digital age.Contributes to the general dialogue on digital culture
圖書封面Titlebook: Cosmos, Values, and Consciousness in Latin American Digital Culture;  Angelica J. Huizar Book 2020 The Editor(s) (if applicable) and The Au
描述This book understands digital cultural production of electronic literatures and digital art by looking at electronic and digital works that produce subjective positionality, clouded knowledges of quantum theories, and metaphysical patterns grounded in a cultural ideology. This book underlines a conceptual framework for understanding how digital media impacts reading, approaching, and even interpreting social reality. The qualitative analyses interpret the current?.zeitgeist., and the works selected speak of the diverse, sometimes regionalized, and often multi-ethnic reality of the Latin American experience. The analyses elaborate on how artists reflect both the world they live in and a universal consciousness. These artists are not simply “digitalizing literature,” and these works are more than techy creations; rather, they make us think of other directions and connections.?.
出版日期Book 2020
關(guān)鍵詞Electronic Literature; Digital Culture in Latin America; Latin American Cultural Production; Digital Ar
版次1
doihttps://doi.org/10.1007/978-3-030-45398-5
isbn_softcover978-3-030-45400-5
isbn_ebook978-3-030-45398-5
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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,Rückblick auf die Zielsetzung,can sound poetries. Cid Campos’ “verbivocovisual” adaptations of Concrete poetry, specifically . and ., echo and visualize the attraction to the poetics of sound. The Situationist sound compilations of Iván López Monroy’s “dfm e.p.” produce a “sound ecology” of sorts. Brian Mackern’s more modern sou
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https://doi.org/10.1007/978-3-322-83792-9minism, and non-locality emerge through analysis of the works of Augusto Marquet and Gabriel Wolfson’s .; Rodolfo J.M.’s hypertext detective/police novel .; Yolanda de la Torre, Raquel Gómez, and Mónica Nepote’s .; and Santiago Ortiz’s .. Analyses of Karen Villeda and Denise Audirac’s poetic virtual
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Das Dritte Reich und der Zweite Weltkrieganxiety. Fernando Llanos’ . and Eugenio Tisselli’s . are social and political critiques in a networked existence. Llanos’ videos constitute recordings of urban spaces, sights, and sounds that interfere with the mundane, established signifiers, and projected images. With these artistic and poetic int
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