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Titlebook: Cormac McCarthy; American Canticles Kenneth Lincoln Book 2009 Kenneth Lincoln 2009 America.Dante.god.British and Irish Literature

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樓主: TINGE
51#
發(fā)表于 2025-3-30 11:34:02 | 只看該作者
https://doi.org/10.1057/9780230617841America; Dante; god; British and Irish Literature
52#
發(fā)表于 2025-3-30 12:26:28 | 只看該作者
53#
發(fā)表于 2025-3-30 17:57:39 | 只看該作者
Platelet Functions and Platelet Transfusionnotes “the swift and natural observation of a man as he is shaped by life.” Some still read the Greek epics as cultural benchmarks and codes of behavior. Odysseus is an alert man on-the-go, wily, passionate, quick-witted, and strong-hearted, a man among men admired by women. More statesman than warr
54#
發(fā)表于 2025-3-30 23:59:17 | 只看該作者
55#
發(fā)表于 2025-3-31 03:34:36 | 只看該作者
Platelet Functions and Platelet Transfusion” in the texts, an archaic blues lament for the wounded, suffering, and dead. The praise-chant or grief-song contains terrible personal tare; the prophetic story or vatic warning carries shocking public texture. Both are colored with rich lyric rhythms, living regional diction, and idiosyncratic nat
56#
發(fā)表于 2025-3-31 08:38:12 | 只看該作者
57#
發(fā)表于 2025-3-31 09:49:27 | 只看該作者
Platelet Functions and Platelet Transfusion God much like yourself perhaps,” a local witness describes the gnomish Lester watching from the barn door as a mountain folk melee comes to the forced county auction of his farm, “a caravan of carnival folk up through the swales of broomstraw.” Always a trollish outsider and not quite right in the
58#
發(fā)表于 2025-3-31 14:38:48 | 只看該作者
J. W. ten Cate,M. H. J. van Oersade-outs, and all manner of stage directions indoors and out. And yet, if the dialogue is not right, nothing turns out very well. So in 1975 documentary filmmaker Richard Pearce set out to find “Not just any screenwriter. A great screenwriter.” Coming to no terms with Eudora Welty, he consulted the
59#
發(fā)表于 2025-3-31 20:01:27 | 只看該作者
Platelet Functions and Platelet Transfusionctions at his own literary risk and nightmarish peril. They are male narratives in the best and worst of that frontier American tradition, men without women or children, homes or towns, conscience or grace. With no condescension or apology, McCarthy sketches a hellish descent into cul-de-sac decaden
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