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Titlebook: Conversations with Angels; Essays Towards a His Joad Raymond (Professor of English Literature) Book 2011 Palgrave Macmillan, a division of

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書目名稱Conversations with Angels
副標(biāo)題Essays Towards a His
編輯Joad Raymond (Professor of English Literature)
視頻videohttp://file.papertrans.cn/238/237794/237794.mp4
圖書封面Titlebook: Conversations with Angels; Essays Towards a His Joad Raymond (Professor of English Literature) Book 2011 Palgrave Macmillan, a division of
描述Based on refractions of earlier beliefs, modern angels - at once terrible and comforting, frighteningly other and reassuringly beneficent - have acquired a powerful symbolic value. This interdisciplinary study looks at how humans conversed with angels in medieval and early modern Europe, and how they explained and represented these conversations.
出版日期Book 2011
關(guān)鍵詞England; Europe; history; philosophy; reform; reformation
版次1
doihttps://doi.org/10.1057/9780230316973
isbn_softcover978-1-349-36260-8
isbn_ebook978-0-230-31697-3
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2011
The information of publication is updating

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Kate Vitasek,Mike Ledyard,Karl Manrodts to medieval Europe. Although the Christian Church accepted the existence of invisible spirits, scholars were engaged in uneasy debates over their corporeality, man’s ability to comprehend them and the nature of their influence in the sublunary world. The imported magic texts, on the other hand, we
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Kate Vitasek,Mike Ledyard,Karl Manrodtbly the author himself, on his knees before the tabernacle in his . (Figure 8.1). It is an image that has appeared in countless publications on early modern occult philosophy, so much so that the . is considered ‘one of the most important books in the whole literature of theosophical alchemy and the
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Edward the Black Prince, the Future King,and led two convents. Today she is probably even better known for an extraordinary cycle of songs, which includes ., her musical representation of the angelic virtues in their quest to care for a human soul. This chapter demonstrates how Hildegard interpreted the celestial music that she heard the a
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