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Titlebook: Controversial Images; Media Representation Feona Attwood,Vincent Campbell,Sharon Lockyer Book 2013 Palgrave Macmillan, a division of Macmil

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樓主: 可擴大
41#
發(fā)表于 2025-3-28 14:36:46 | 只看該作者
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發(fā)表于 2025-3-28 19:01:30 | 只看該作者
43#
發(fā)表于 2025-3-29 02:45:08 | 只看該作者
Volunteering and Social Inclusion defined and marked against and through its animal others. By considering spam email adverts for animal porn sites,. ‘zoo porn’ sites and a viral video, I investigate the interconnections of filth, transgression, and authenticity in animal porn as they tie into questions of materiality and ethics.
44#
發(fā)表于 2025-3-29 05:57:27 | 只看該作者
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發(fā)表于 2025-3-29 08:08:04 | 只看該作者
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發(fā)表于 2025-3-29 14:44:08 | 只看該作者
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發(fā)表于 2025-3-29 17:11:48 | 只看該作者
Representation and Resemblance in the Case of the Danish Cartoonsolutely too much’ (Buchanan 2006), and an American columnist confessed to being ‘perplexed’ at what he considered to be the ‘gross overreaction by average Muslims around the world,’ provoked by what were, after all, ‘only’ cartoons (Nethaway 2006).
48#
發(fā)表于 2025-3-29 23:16:58 | 只看該作者
Border Patrol: Trevor Brown, Aesthetics and the Protection of Fictitious Childrenoexist in an overlit realm ruled by advertising and pseudo-events, science and pornography. Over our lives preside the great twin leitmotifs of the twentieth century — sex and paranoia (Ballard 1995: 4).
49#
發(fā)表于 2025-3-30 03:29:36 | 只看該作者
His Soul Shatters at About 0:23: ,, Self-Scaring and Hyberbolic Shockd commentary on what they are watching. One young man excitedly walks in and out of frame while another stares wide-eyed at the computer screen in front of him. He doesn’t move even when the young woman tries to pull his face towards hers. After a minute and a half, the film ends with much laughter and the exclamation ‘Oh. My. God!’
50#
發(fā)表于 2025-3-30 05:56:19 | 只看該作者
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