Titlebook: Controlology; Beyond the New Crimi Jason Ditton Book 1979 Jason Ditton 1979 crime.criminology.delinquency.deviant behavior.police.sociology

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書目名稱Controlology影響因子(影響力)




書目名稱Controlology影響因子(影響力)學(xué)科排名




書目名稱Controlology網(wǎng)絡(luò)公開度




書目名稱Controlology網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Controlology被引頻次




書目名稱Controlology被引頻次學(xué)科排名




書目名稱Controlology年度引用




書目名稱Controlology年度引用學(xué)科排名




書目名稱Controlology讀者反饋




書目名稱Controlology讀者反饋學(xué)科排名

一再遛

Value Creation in Successful LBOson. Rather than celebrate or bewail the currently morbid state of affairs, I hope instead to analytically reground the labelling approach. I think this is possible as labelling is vilified not so much because of its analytic inabilities, but rather because it has become an . failure. Since instituti

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老人病學(xué)

發(fā)現(xiàn)

https://doi.org/10.1007/978-1-349-16071-6crime; criminology; delinquency; deviant behavior; police; sociology of crime; statistical evidence; violen

燕麥

Overview: 978-0-333-25966-5978-1-349-16071-6

燕麥

The Controlological Pedigree,on. Rather than celebrate or bewail the currently morbid state of affairs, I hope instead to analytically reground the labelling approach. I think this is possible as labelling is vilified not so much because of its analytic inabilities, but rather because it has become an . failure. Since instituti

符合國情

Crime Waves or Control Waves? A Recipe for Atheistic Statisticians,l produced crime. Whilst tremendously influential however, the proposition has never been vigorously explored as part of a general theoretical structure. This gap may partly be explained by the overwhelming emphasis within labelling upon substantive specification, but mostly by the submerged epistem

不再流行

,‘Responsibility’ v. Response Ability: The Controlological Programme,l a properly constituted court has delivered that verdict as final. This now needs slight comparative qualification. I am not suggesting that individuals cannot . to break the law. Nor that . ethnographic work designed to display and intellectually organise those intentions in writing (e.g., Ditton,

Clinch

,‘Mr Big’ and ‘The Godfather’: Shoppers, Dealers and Squealers as Dramatic Characters in a Factory C