Titlebook: Contesting Performance; Global Sites of Rese Jon McKenzie (Associate Professor of English),Heik Book 2010 Palgrave Macmillan, a division of

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’say as I Do’: Performance Research in Singaporere’s ejection from Malaysia two years after full independence from the British. In a now iconic scene from the history of the Southeast Asian city-state, Lee went on to describe the separation as ‘a(chǎn) moment of anguish’ (ibid.: 21), before sensationally illustrating the sentiment by breaking down in t

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The Performance of Performance Research: A Report from Germany (2002) begins by claiming that performance studies resists definition as a field, and yet he goes on to provide precisely that. Similarly, in the case of the present volume, which aims to put into focus how performance research has developed . its major representation in the Anglo-American academic

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Translate, or Else: Marking the Glocal Troubles of Performance Research in Croatiand to translate — terms, theories, aesthetics, traditions, texts, contexts, performances — or else ... fall out of both the system of academic communication and the visible arena of aesthetic performative practices?

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Performing Postcoloniality in the Moroccan Scene: Emerging Sites of Hybridityisciplinary research in performance studies at the national (Moroccan), Arab, and international level; dialogue and collaboration between artists and academics; the publishing of multilingual publications on theatre and performance studies; the organization of festivals, conferences, and workshops o

Suggestions

Searching for the Contemporary in the Traditional: Contemporary Indonesian Dance in Southeast Asiaeed, in a number of Southeast Asian contexts. This ‘a(chǎn)pproach’ is itself a form of research. Two facts are of particular salience here. First, in Indonesia, most choreographers are trained in traditional dance. There are some choreographers who are trained in Western forms such as ballet and modern d

木訥

Word and Action in Israeli Performancel expressions constituting a national culture, the language(s) developed to describe these actions through day-to-day reporting, the more distanced writing of history, and the artistic/aesthetic expressions that a national culture produces. These forms of coordination, regardless if they are conscio

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Methodologies of Visual Sociology,nd the world — but to the . of researchers themselves. These locations have steadily expanded over the past two decades, whether it be in terms of individual researchers working alone or in small groups on different continents. This expansion is mirrored by the emergence of performance research and

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