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Titlebook: Contemporary Women‘s Gothic Fiction; Carnival, Hauntings Gina Wisker Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Gothic

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發(fā)表于 2025-3-21 18:47:41 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Contemporary Women‘s Gothic Fiction
副標(biāo)題Carnival, Hauntings
編輯Gina Wisker
視頻videohttp://file.papertrans.cn/237/236770/236770.mp4
概述Establishes a canon for contemporary women’s writing in the area of the Gothic by showing how it forms part of a much longer tradition of women’s writing.Fills a gap in the market and promises to stan
叢書名稱Palgrave Gothic
圖書封面Titlebook: Contemporary Women‘s Gothic Fiction; Carnival, Hauntings  Gina Wisker Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Gothic
描述This book revives and revitalises the literary Gothic in the hands of contemporary women writers. It makes a scholarly, lively and convincing case that the Gothic makes horror respectable, and establishes contemporary women’s Gothic fictions in and against traditional Gothic. The book provides new, engaging perspectives on established contemporary women Gothic writers, with a particular focus on Angela Carter, Margaret Atwood and Toni Morrison. It explores how the Gothic is malleable in their hands and is used to demythologise oppressions based on difference in gender and ethnicity. The study presents new Gothic work and new nuances, critiques of dangerous complacency and radical questionings of what is safe and conformist in works as diverse as .Twilight. (Stephenie Meyer) and .A Girl Walks Home Alone. (Ana Lily Amirpur), as well as by Anne Rice and Poppy Brite. It also introduces and critically explores postcolonial, vampire and neohistorical Gothic and women’s ghost stories.?.
出版日期Book 2016
關(guān)鍵詞Gothic; women‘s writing; contemporary; postcolonial; post-colonial; gender; horror; literature; ghosts; vampi
版次1
doihttps://doi.org/10.1057/978-1-137-30349-3
isbn_softcover978-1-349-67168-7
isbn_ebook978-1-137-30349-3Series ISSN 2634-6214 Series E-ISSN 2634-6222
issn_series 2634-6214
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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https://doi.org/10.1007/978-1-4615-3994-0torically abused vampire mother and daughter have the last word, escape, resilient, devious and entrepreneurial even when faced with the stranglehold of neoliberalism and remnants of the welfare state.
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Sound, Touch and Virtual Reality The chapter explores and reimagines historical moments (Sarah Waters, .. Virago Press, 2002; Elizabeth Kostova, .. Little Brown, 2010) and uses psycho-geography to reinterpret and replace the history of haunted spaces, places and events. Gina Wisker explores Jeanette Winterson’s Hammer Horror novel
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Vampire Kisses,torically abused vampire mother and daughter have the last word, escape, resilient, devious and entrepreneurial even when faced with the stranglehold of neoliberalism and remnants of the welfare state.
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