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Titlebook: Contemporary Representations of Forced Migration in Europe; Beyond Regime and Re Fiona Barclay,Beatrice Ivey Book 2024 The Editor(s) (if ap

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發(fā)表于 2025-3-21 18:22:44 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Contemporary Representations of Forced Migration in Europe
副標題Beyond Regime and Re
編輯Fiona Barclay,Beatrice Ivey
視頻videohttp://file.papertrans.cn/237/236674/236674.mp4
概述Theorises the transnational situatedness of refugees on the borders of contemporary Europe.Brings together original contributions from a wide range of scholars.Probes the limits of artistic potential
叢書名稱Palgrave Studies in Literature, Culture and Human Rights
圖書封面Titlebook: Contemporary Representations of Forced Migration in Europe; Beyond Regime and Re Fiona Barclay,Beatrice Ivey Book 2024 The Editor(s) (if ap
描述.This book engages with current debates around refugeedom by examining cultural production that represents and interrogates the construction of refugees and the refugee experience on the borders of contemporary Europe.?The refugee subject is produced by discursive regimes and border practices inherited from colonial projects that construct the diametrically opposed concepts of citizen and refugee, and their attendant administrative sub-categories. In the early twenty-first century these categories have been strengthened by the politicisation of forced migration and the hardening of ‘Fortress Europe’...While the predominant response to the increasing numbers of refugees seeking asylum in Europe has been to harden the borders (regime), on the one hand, or to stress the common humanity of those displaced (refuge), on the other, this volume argues?that both approaches?result?in refugees becoming?objectified, othered, and abstracted?as?vectors ofexile.?It?explores?what recent cultural production can achieve in engaging with and representing issues of dispossession, detention and resettlement, and probes?the limits of artistic potential to mediate the refugee experience.?It examines?tran
出版日期Book 2024
關鍵詞Forced Migration; Europe; Refugees; Detention; Visual Culture; Media
版次1
doihttps://doi.org/10.1007/978-3-031-47831-4
isbn_softcover978-3-031-47833-8
isbn_ebook978-3-031-47831-4Series ISSN 2524-8820 Series E-ISSN 2524-8839
issn_series 2524-8820
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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發(fā)表于 2025-3-22 00:13:10 | 只看該作者
Channelling and Challenging the ‘imperative to tell’: Reflections on Negotiating Representations of uring 2017–18. This chapter is narrated from the position of Artist-Researcher and puts Salverson’s questions in conversation with Thompson’s critique of the ‘imperative to tell’ (.. London: Palgrave Macmillan, 2011, 56) and Jeffers’ theoretical work on ‘bureaucratic performance’ and the emergence o
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發(fā)表于 2025-3-22 03:38:51 | 只看該作者
‘To live well is to story well’: Co-writing and Polyphonic Writing with Denmark’s Asylum Community examination together is Behrouz Boochani and Omid Tofighian’s suggestion that stories are integral for ‘living life well’ (.. Sydney: Picador, 2018, 375), here used to reflect on writing across both space and the ‘complex set of historical, cultural, legal and ethical relations [between] citizens o
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發(fā)表于 2025-3-22 04:53:34 | 只看該作者
Life in Detention: Journey and Bordern in Scotland. Migrating people systematically face various forms of imprisonment, whether it be the isolation of being detained, the exploitation of enforced destitution (not being able to access work or education), or the fear of deportation. Third, I explore other internal forms of bordering via
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‘She is the meteor and I, her space’: Co-Becoming and Biopolitical Trauma in Chris Abani’s man rights claims—which necessarily posit the individual in a position of vulnerability vis-à-vis the state—instead exposing the contradictions inherent within the system which creates that disjunction between migrants and their humanity in the first place. By showing how Abigail ‘becomes’ through o
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發(fā)表于 2025-3-22 16:21:53 | 只看該作者
Beyond Objectifying the Humane: Memory in Media and Political Genress in debates. It is argued that the parameters of the specific genres involved, the television documentary and the parliamentary debate, help explain the objectifying of representation, but that, because genres are never fixed and closed, they also allow moments of escape from generic characteristic
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發(fā)表于 2025-3-22 22:57:56 | 只看該作者
Remapping the Borderlands of Britain: The Calais ‘Jungle’ and the Enduring Legacy of Imperial Frontist century has witnessed the resurgence of colonial narratives about cross-boundary subversion illustrated by pervasive representations of migrants attempting to cross British borders, which contributes to the perception of migrants as a threat to Western security and integrity. During the recent Br
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