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Titlebook: Contemporary Photography as Collaboration; Mathilde Bertrand,Karine Chambefort-Kay Book 2024 The Editor(s) (if applicable) and The Author(

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書目名稱Contemporary Photography as Collaboration
編輯Mathilde Bertrand,Karine Chambefort-Kay
視頻videohttp://file.papertrans.cn/237/236654/236654.mp4
概述Explores photographic practices which actively engage in the politics of collaboration.Addresses the political, counter-cultural dimension of collaborative projects.Offers to explore a spectrum of pho
圖書封面Titlebook: Contemporary Photography as Collaboration;  Mathilde Bertrand,Karine Chambefort-Kay Book 2024 The Editor(s) (if applicable) and The Author(
描述.This book explores a spectrum of contemporary photographic practices across the fields of image-making, curating, archiving, teaching, community development and activism that have envisioned photography as ontologically and ethically collaborative. By looking specifically into the contexts where collaborative projects are produced and shown, and into the dialogical relation to the people they engage with –in hospitals, in prisons, in working-class neighbourhoods, with indigenous people, refugees, women, persons experiencing homelessness, young people– the contributions from practitioners, scholars, and curators show participatory practices to create the conditions for building new subjectivities, or making visible a multiplicity of identities, thus opening up a new politics of visibility. Therefore, this book specifically addresses the political, counter-cultural dimension of collaborative projects, but also their subversiveness in relation to dominant practices within the field ofphotography: this includes a reinvention of the position of the photographer –in turns facilitator or project leader– of curating and exhibition models, of archiving methodologies, of photographic educat
出版日期Book 2024
關(guān)鍵詞photography; collaborative; socially engaged; participatory; collaboration; participation
版次1
doihttps://doi.org/10.1007/978-3-031-41444-2
isbn_softcover978-3-031-41446-6
isbn_ebook978-3-031-41444-2
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Photographic Representations of Urban Communities in Postwar Britain and the Emergence of Collaborat short case studies to examine the changing nature of photography and the role and agency of local communities in the creation and circulation of images of their environments. The first of these examines how photography by artist Nigel Henderson after the Second World War informed key architectural
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Reflective Portfolio: Photographing with the Earsaken in Marseille with a non-profit organisation which used to help young immigrants under 18 who came on their own from Morocco and Algeria. At that time, I felt that my images failed to describe the situation of these boys. They were making photographs by themselves and I was interested in what th
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Commercially Unavailable: Distribution as an Activist Tactic is to foreground work from artist-activist Mark Neville who chooses to employ the larger format, carefully printed photo-book, as an appropriate form for his sustained commitment to strategic, targeted distribution. Neville’s work has, over the last twenty years, engaged with the experience of chan
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