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Titlebook: Contemporary Masculinities in the UK and the US; Between Bodies and S Stefan Horlacher,Kevin Floyd Book 2017 The Editor(s) (if applicable)

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發(fā)表于 2025-3-21 19:40:00 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Contemporary Masculinities in the UK and the US
副標(biāo)題Between Bodies and S
編輯Stefan Horlacher,Kevin Floyd
視頻videohttp://file.papertrans.cn/237/236603/236603.mp4
概述Breaks new ground in masculinity studies.Contains interdisciplinary, ethnographic, sociological and intermedial analyses.Explores the relations between different and divergent manifestations of mascul
叢書名稱Global Masculinities
圖書封面Titlebook: Contemporary Masculinities in the UK and the US; Between Bodies and S Stefan Horlacher,Kevin Floyd Book 2017 The Editor(s) (if applicable)
描述This book is about ways to understand masculinity as systemic and corporeal, structural and performative all at once. It argues that the tension between an understanding of “masculinity” in the singular and “masculinities” in the plural poses a problem that can better be understood in relation to a concomitant tension: between systems on the one hand, and bodies on the other - between abstract structures such as patriarchy, kinship or even language, and the various concrete forms taken by gendered, individuated corporeality..The contributions collected here investigate how masculinities become apparent, how they take shape and what systemic functions they have. What, they ask, are the relations between the abstract and corporeal, metaphorical and metonymic manifestations of masculinity? How are we to understand masculinity as a simultaneously systemic and corporeal, performative concept??.
出版日期Book 2017
關(guān)鍵詞masculinity studies; biological body; gendered self; gendered social systems; performative masculinity
版次1
doihttps://doi.org/10.1007/978-3-319-50820-7
isbn_softcover978-3-319-84499-2
isbn_ebook978-3-319-50820-7Series ISSN 2946-3858 Series E-ISSN 2946-3866
issn_series 2946-3858
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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, The Dogs of War ,,s 1974 novel .. Through a close reading of the novel, Fox argues that alpha-mercenary Cat Shannon represents a construction of a modern, ‘a(chǎn)uthentic’ mercenary masculinity—a principled rugged individualist, conscientious professional warrior, and noble trickster folk hero—distinct from ‘false’ mercen
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,, Giovanni’s Room,ind of liberal white American performative masculinity that perpetuates a heteronormative, racist, and imperialist social order. The novel aims to conceptualize a more ethical and socially responsible gendered subjectivity through a theatrical critique of performativity and the genre of the tragic.
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