Titlebook: Contemporary Japanese Women’s Theatre and Visual Arts; Performing Girls’ Ae Nobuko Anan Book 2016 The Editor(s) (if applicable) and The Aut

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,Introduction: Girls’ Aesthetics,a girls’ performance of their imagined West. Lolita girls’ cuteness also resonates with that of Hello Kitty, but Gothic girls’ dark image might remind us of the association of women with witches who possess mythic power. Fighting girls in anime and manga might reflect Japanese women’s challenge to t

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Citizen Girls,endencies of the national and the personal spheres is the fact that they both exist in the realm of ideals with its concomitant sense of the immaterial. Girls’ aesthetics’ valorization of the fictional and immaterial body somehow coincided with nationalist propaganda, including war propaganda, in wh

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Contemporary Japanese Women’s Theatre and Visual ArtsPerforming Girls’ Ae

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,Introduction: Girls’ Aesthetics,ls hanging out in the streets in Harajuku, Tokyo. Or perhaps cute fighting girls in girls’ anime (animation) and manga (graphic novels) such as .. These “representatives” of Japanese girls’ culture tell us many things about Japanese society and women. Hello Kitty, a cute “girl” with no mouth, might

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,Girls’ Time, Girls’ Space,titled “Can Eros Be the Basis of Resistance?” (.),. these two giants of the postwar Japanese arts world jump from one topic to another, from the New Left movement to eroticism, from gambling to Catholicism, from body-building to noh theatre. Towards the end of their conversation, Terayama, out of th

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