Titlebook: Contemporary Gothic Drama; Attraction, Consumma Kelly Jones,Benjamin Poore,Robert Dean Book 2018 The Editor(s) (if applicable) and The Auth

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書目名稱Contemporary Gothic Drama影響因子(影響力)




書目名稱Contemporary Gothic Drama影響因子(影響力)學科排名




書目名稱Contemporary Gothic Drama網(wǎng)絡公開度




書目名稱Contemporary Gothic Drama網(wǎng)絡公開度學科排名




書目名稱Contemporary Gothic Drama被引頻次




書目名稱Contemporary Gothic Drama被引頻次學科排名




書目名稱Contemporary Gothic Drama年度引用




書目名稱Contemporary Gothic Drama年度引用學科排名




書目名稱Contemporary Gothic Drama讀者反饋




書目名稱Contemporary Gothic Drama讀者反饋學科排名

ABOUT

Book 2018Whilst the focus of the collection falls upon Gothic drama, the contents of the book will embrace an interdisciplinary appeal to scholars and students in the fields of theatre studies, literature studies, tourism studies, adaptation studies, cultural studies, and history.?

critic

Introduction,es and aesthetics of the Gothic as a tool, not simply to explore past horrors or exotic monsters that lie beyond our borders, but with which to playfully uncover our own unrelentingly abject relationship with the very soil that we walk upon.

Cardioplegia

防御

Death, Decay and Domesticity: The Corpse as Pivotal Stage Presence in Howard Barker’s gery, and details his specific, subversive engagement with them. It contextualises the analysis by drawing on Kristeva’s writing on the abject (1987), Botting’s writing on the Gothic (1996) and Lingis’ writing on eroticism, and the impact of sex and death on the perception of time (2000).

進取心

進取心

BROOK

Writing the Ghost—An Interview with Playwright Michael PunterIrving. At CAPA, his courses include .. In this interview with Benjamin Poore, Michael discusses his early influences, the relationship between theatre and ghosts, theatre for and about young people, and the challenges and paradoxes of staging the supernatural and the Gothic.

行為

2634-6214 e interdisciplinary appeal by covering theatre, adaptation, This ground-breaking volume is the first of its kind to examine the extraordinary prevalence and appeal of the Gothic in contemporary British theatre and performance. Chapters range from considerations of the Gothic in musical theatre and l

STERN

Model Theory and Universal Algebra,this Ripper tourism. Its central concern is with the Ripper tours, which it considers as street theatre. The essay looks at the narrative and performance modes guides draw on to negotiate their highly contentious subject matter, and considers the tours’ complex relation to the Gothic.