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Titlebook: Contemporary French Theatre and Performance; Clare Finburgh (Senior Lecturer in Modern Drama),C Book 2011 Palgrave Macmillan, a division o

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21#
發(fā)表于 2025-3-25 03:37:36 | 只看該作者
Clare Finburgh (Senior Lecturer in Modern Drama),C
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發(fā)表于 2025-3-25 09:07:34 | 只看該作者
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發(fā)表于 2025-3-25 12:04:39 | 只看該作者
24#
發(fā)表于 2025-3-25 18:43:17 | 只看該作者
Alessandro Balducci,Raine M?ntysaloast a plot of our various assessments or depictions of the state of play. Indeed, this is natural since, to state the obvious, the situations described necessarily evolve with the passage of time. But as observers, we also change with time, and therefore our approach, our critical standpoint and analytical tools change, too.
25#
發(fā)表于 2025-3-25 22:26:54 | 只看該作者
Kook-Hee Gil,Heather Marsden,Melinda Whongisparate materials stolen from everywhere and anywhere. However, as I show in this essay, a few decades or so later, as a result of its fruitful detour through performance, poetry in France was to reinvest yet again in the text. This allowed it to multiply its compositional strategies, styles of delivery and forms of presentation.
26#
發(fā)表于 2025-3-26 01:55:09 | 只看該作者
An Unlikely Scene: French Theatre in the New Liberal Economyast a plot of our various assessments or depictions of the state of play. Indeed, this is natural since, to state the obvious, the situations described necessarily evolve with the passage of time. But as observers, we also change with time, and therefore our approach, our critical standpoint and analytical tools change, too.
27#
發(fā)表于 2025-3-26 04:34:21 | 只看該作者
Performance and Poetry: Crossed Destiniesisparate materials stolen from everywhere and anywhere. However, as I show in this essay, a few decades or so later, as a result of its fruitful detour through performance, poetry in France was to reinvest yet again in the text. This allowed it to multiply its compositional strategies, styles of delivery and forms of presentation.
28#
發(fā)表于 2025-3-26 09:44:54 | 只看該作者
29#
發(fā)表于 2025-3-26 13:34:42 | 只看該作者
https://doi.org/10.1007/978-94-007-4875-0are made not only by eminent scholars, but also by directors, playwrights and performance artists from the United Kingdom and France. This variety of backgrounds adds to the richness of perspectives that the volume provides.
30#
發(fā)表于 2025-3-26 19:53:50 | 只看該作者
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