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Titlebook: Contemporary Fictions of Multiculturalism; Diversity and the Mi Michael Perfect Book 2014 Palgrave Macmillan, a division of Macmillan Publi

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31#
發(fā)表于 2025-3-26 22:45:10 | 只看該作者
32#
發(fā)表于 2025-3-27 04:49:28 | 只看該作者
4 De start: een goed begin is het halve werk of the contemporary moment. While Levy’s first three novels were all well received by critics, her fourth — 2004’s . — saw her catapulted to the forefront of the British literary mainstream. The novel won the Orange Prize for Fiction (2004), the Whitbread Book of the Year (2004), the Commonwealth W
33#
發(fā)表于 2025-3-27 09:19:47 | 只看該作者
34#
發(fā)表于 2025-3-27 10:10:34 | 只看該作者
Gidia Jacobs,Nicole Muller,Esther ten Brinkondon, Monica Ali’s debut . was one of the most controversial. Hardly the most obviously subversive British novel about multiculturalism to have been published since the millennium, its immense popularity within the literary mainstream went some way towards its being perceived as an iconic work and,
35#
發(fā)表于 2025-3-27 16:55:06 | 只看該作者
36#
發(fā)表于 2025-3-27 21:12:01 | 只看該作者
37#
發(fā)表于 2025-3-27 22:02:10 | 只看該作者
Gidia Jacobs,Nicole Muller,Esther ten Brinkush pile’ (Aspden 2011, np) and, much like Malkani’s ., was the subject of a fierce bidding war between publishing houses; indeed, one which — as with . — eventually saw a handsome six-figure sum being paid to secure the rights to a debut novel. However, in contrast to the supposed commercial ‘failu
38#
發(fā)表于 2025-3-28 04:19:50 | 只看該作者
De aanpak van subunguinale clavi,the most significant contribution to fiction about multiculturalism in London of the last 25 years — as ‘representative’ have been reductive rather than enabling, and attempted to find new ways in which to read their work and its importance for multiculturalism. As I have shown, Kureishi and Levy ha
39#
發(fā)表于 2025-3-28 08:01:47 | 只看該作者
40#
發(fā)表于 2025-3-28 13:39:45 | 只看該作者
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