Titlebook: Contemporary Diasporic South Asian Women‘s Fiction; Gender, Narration an Ruvani Ranasinha Book 2016 The Editor(s) (if applicable) and The A

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書(shū)目名稱Contemporary Diasporic South Asian Women‘s Fiction影響因子(影響力)




書(shū)目名稱Contemporary Diasporic South Asian Women‘s Fiction影響因子(影響力)學(xué)科排名




書(shū)目名稱Contemporary Diasporic South Asian Women‘s Fiction網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱Contemporary Diasporic South Asian Women‘s Fiction網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Contemporary Diasporic South Asian Women‘s Fiction被引頻次




書(shū)目名稱Contemporary Diasporic South Asian Women‘s Fiction被引頻次學(xué)科排名




書(shū)目名稱Contemporary Diasporic South Asian Women‘s Fiction年度引用




書(shū)目名稱Contemporary Diasporic South Asian Women‘s Fiction年度引用學(xué)科排名




書(shū)目名稱Contemporary Diasporic South Asian Women‘s Fiction讀者反饋




書(shū)目名稱Contemporary Diasporic South Asian Women‘s Fiction讀者反饋學(xué)科排名

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Globalisation, Labour, Narrative and Representation in Arundhati Roy, Monica Ali and Kiran Desai,hat Desai’s non-linear, elaborately structured narrative shares a related intervention to stretch the possibilities of realist fiction to capture the plight of those disenfranchised by the economic operations of globalisation. As Desai observes, ‘In a world obsessed with national boundaries and belo

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Einleitung und Gang der Untersuchung,blished writers such as Roy (b. 1961, India) and in comparison to lesser-known diasporic women writers, including Sorayya Khan (b. 1967, Pakistan/Netherlands/USA), Uzma Aslam Khan (b. 1969, Pakistan/UK/USA), Roma Tearne (b. 1954, Sri Lanka/UK), Roshi Fernando (b. 1966, Sri Lanka/UK) and V.V. Ganesha

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Introduction,es primarily on Kiran Desai (b. 1971, India/UK/USA), Tahmima Anam (b. 1975, Bangladesh/USA/UK), Monica Ali (b. 1967, Bangladesh/UK), Kamila Shamsie (b. 1973, Pakistan/USA/UK) and Jhumpa Lahiri (b. 1967, USA/India/Italy). This new wave of diasporic anglophone South Asian feminist fiction writers came