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Titlebook: Contemporary British Theatre; Breaking New Ground Vicky Angelaki (Lecturer in Drama) Book 2013 Palgrave Macmillan, a division of Macmillan

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發(fā)表于 2025-3-21 16:18:57 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Contemporary British Theatre
副標(biāo)題Breaking New Ground
編輯Vicky Angelaki (Lecturer in Drama)
視頻videohttp://file.papertrans.cn/237/236388/236388.mp4
圖書(shū)封面Titlebook: Contemporary British Theatre; Breaking New Ground Vicky Angelaki (Lecturer in Drama) Book 2013 Palgrave Macmillan, a division of Macmillan
描述This edited collection brings together a team of internationally prominent academics and delivers cutting-edge discourse on the strongly emerging tradition of experimentation in contemporary British theatre - redefining what the dramatic stands for today. Each chapter of the collection focuses on influential contemporary plays and playwrights.
出版日期Book 2013
關(guān)鍵詞Contemporary Theatre; British Theatre; Innovation; Churchill; color; discourse; drama; human rights; imagina
版次1
doihttps://doi.org/10.1057/9781137010131
isbn_softcover978-1-349-43628-6
isbn_ebook978-1-137-01013-1
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2013
The information of publication is updating

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Untersuchung der Reproduzierbarkeit, Compostela in Galicia. The Man (as he is designated in the text) suffers from severe memory loss and the play revolves around the mystery of his identity. The quotation above is taken from a conversation with Anna — the Man’s contact from the British Consulate — as he recalls his feelings at the ve
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Untersuchung der Reproduzierbarkeit,served: ‘[t]hese are challenging times. Now more than ever we need places where reflection, question and visceral experience can elevate the daily and the private and remind us of our humanity and universality’.. She added: ‘[t]he fearlessness and skill of our playwrights, [… along] with our complex
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https://doi.org/10.1007/978-3-663-07488-5 of black and Asian dramatists and theatre practitioners in contemporary British culture.. Drawing on Bourdieu’s sociological theory, Godiwala creates a strong locus for diasporic/interstitial writers and artists as the best qualified to tackle the heterogeneity of contemporary British culture. In t
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Alfred H. Henning,Karl Krekeler,Josef Eilersse to the now-infamous killing of James Bulger; a link that he claims not to have been aware of until years after these plays were written. Looking back, he proposes that the killing in 1993 had a massive impact upon the national psyche, similar to the affective shift which occurred with the death o
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