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Titlebook: Contemporary British Queer Performance; Stephen Greer Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 festiv

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發(fā)表于 2025-3-21 16:15:44 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Contemporary British Queer Performance
編輯Stephen Greer
視頻videohttp://file.papertrans.cn/237/236387/236387.mp4
叢書(shū)名稱(chēng)Performance Interventions
圖書(shū)封面Titlebook: Contemporary British Queer Performance;  Stephen Greer Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 festiv
描述This book examines queer performance in Britain since the early 1990s, arguing for the significance of emerging collaborative modes of practice. Using queer theory and the history of early lesbian and gay theatre to examine claims to representation among other things, it interrogates the relationships through which recent works have been presented.
出版日期Book 2012
關(guān)鍵詞festival; identity; theatre; sexual behaviour
版次1
doihttps://doi.org/10.1057/9781137027337
isbn_softcover978-1-349-33855-9
isbn_ebook978-1-137-02733-7Series ISSN 2947-5600 Series E-ISSN 2947-5619
issn_series 2947-5600
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2012
The information of publication is updating

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Community and Nation: Staging Queer Histories chapter turns to locate contemporary traces of those concerns within traditions of autobiography, documentary and history-making. In particular, this discussion examines the relationship between queer performance and the discourses of community and nation — and the relationship of growing, increasi
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Pride and Shame: Developments in the Performance of Queer Protestes’ the site of political action, more recent performative activism has turned to examine an increasingly commercialised public square, and the kind of queer community which might be possible there. Though this chapter describes a shift from a primary focus on identifiable issues (such as the age of
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Networked Identitiestrends of practice which are emerging, and the kinds of thinking which they appear to suggest. What follows is an attempt to suggest where queer performance practice and its study may move next: offering an overview of the fertile connections between this project’s primary case studies, before outli
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