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Titlebook: Contemporary British Artists of African Descent and the Unburdening of a Generation; Monique Kerman Book 2017 The Editor(s) (if applicable

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樓主: emanate
21#
發(fā)表于 2025-3-25 05:20:54 | 只看該作者
Book 2017gh their works—particularly the expectation or “burden” of representing minority or marginalized communities. Readers are thus challenged to unburden the artists herein and celebrate their work on its own terms...
22#
發(fā)表于 2025-3-25 08:48:52 | 只看該作者
scent.Analyzes the ways in which activities associated with This book explores the notable roles that contemporary British artists of African descent have played in the multicultural context of postwar Britain. In four key case studies— Magdalene Odundo, Veronica Ryan, Mary Evans, and Maria Amidu—Mo
23#
發(fā)表于 2025-3-25 11:51:49 | 只看該作者
24#
發(fā)表于 2025-3-25 15:48:04 | 只看該作者
25#
發(fā)表于 2025-3-25 23:03:52 | 只看該作者
26#
發(fā)表于 2025-3-26 02:54:43 | 只看該作者
27#
發(fā)表于 2025-3-26 07:00:04 | 只看該作者
and ethnic identities that the artists often negotiate through their works—particularly the expectation or “burden” of representing minority or marginalized communities. Readers are thus challenged to unburden the artists herein and celebrate their work on its own terms...978-3-319-87972-7978-3-319-65199-6
28#
發(fā)表于 2025-3-26 10:06:26 | 只看該作者
29#
發(fā)表于 2025-3-26 12:43:16 | 只看該作者
978-3-319-87972-7The Editor(s) (if applicable) and The Author(s) 2017
30#
發(fā)表于 2025-3-26 18:16:44 | 只看該作者
https://doi.org/10.1007/978-3-663-07384-0orary art. This chapter introduces the subject, methodology, and organization of this study, which concentrates on British artists of African descent since 1980, and specifically women artists. It explains why Magdalene Odundo, Veronica Ryan, Mary Evans, and Maria Amidu are the subjects of the case
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