Titlebook: Contemporary American Crime Fiction; Hans Bertens,Theo D’haen Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Limited 200

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書目名稱Contemporary American Crime Fiction影響因子(影響力)




書目名稱Contemporary American Crime Fiction影響因子(影響力)學(xué)科排名




書目名稱Contemporary American Crime Fiction網(wǎng)絡(luò)公開度




書目名稱Contemporary American Crime Fiction網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Contemporary American Crime Fiction被引頻次




書目名稱Contemporary American Crime Fiction被引頻次學(xué)科排名




書目名稱Contemporary American Crime Fiction年度引用




書目名稱Contemporary American Crime Fiction年度引用學(xué)科排名




書目名稱Contemporary American Crime Fiction讀者反饋




書目名稱Contemporary American Crime Fiction讀者反饋學(xué)科排名

BANAL

Foregery

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https://doi.org/10.1007/978-3-663-00177-5nt past with the present. While the other chapters will examine truly contemporary crime writing, that is, crime writing of the 1990s, these first two chapters will make a modest attempt to chart the passage from the great renaissance of crime writing of the 1970s and 1980s to where we are now. The

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https://doi.org/10.1007/978-3-663-00212-3, Joe Gores (1931), Robert B. Parker (1932), Donald Westlake (1933), Stuart Kaminsky (1934), Joseph Wambaugh (1937), and Lawrence Block (1938), continued to produce good and at times award-winning work throughout the 1990s. In this chapter we will pay particular attention to the work of Parker, Kami

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變形

Betriebliche Kreislaufwirtschaft,ce the early 1980s — witness the fact that excellent PI writers keep on emerging — crime fiction in which the female protagonist works within, rather than outside, the perimeters of institutional law enforcement has for female crime writers become a viable alternative to the PI novel. That instituti

DENT

https://doi.org/10.1007/978-3-663-01195-8cBain’s immensely popular 87th Precinct series (1956 to the present day) to James Lee Burke’s, James Ellroy’s, and Michael Connelly’s highly acclaimed novels of the 1980s and 1990s. Of these last three, it is undoubtedly Ellroy who has taken this particular genre furthest in the direction of social

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