| 書目名稱 | Contemporary African Dance Theatre | | 副標(biāo)題 | Phenomenology, White | | 編輯 | Sabine S?rgel | | 視頻video | http://file.papertrans.cn/237/236338/236338.mp4 | | 概述 | The first book to discuss Contemporary African Dance Theatre aesthetics in the context of phenomenology, whiteness and the gaze.Challenges perceptions of contemporary dance theatre from a critical rac | | 叢書名稱 | New World Choreographies | | 圖書封面 |  | | 描述 | This book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of ‘un-suturing’ that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics.?. | | 出版日期 | Book 2020 | | 關(guān)鍵詞 | Dance; African Dance; Theatre; Capitalism; Necropolitics; white supremacy; white privilege; Democratic Repu | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-41501-3 | | isbn_softcover | 978-3-030-41503-7 | | isbn_ebook | 978-3-030-41501-3Series ISSN 2730-9266 Series E-ISSN 2730-9274 | | issn_series | 2730-9266 | | copyright | The Editor(s) (if applicable) and The Author(s) 2020 |
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