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Titlebook: Contagion and the Shakespearean Stage; Darryl Chalk,Mary Floyd-Wilson Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Disea

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發(fā)表于 2025-3-21 20:09:53 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Contagion and the Shakespearean Stage
編輯Darryl Chalk,Mary Floyd-Wilson
視頻videohttp://file.papertrans.cn/237/236291/236291.mp4
概述First book to consider how the discourse and concept of contagion in the period can provide a lens for understanding early modern theatrical performance, dramatic plots, and theatre-going.In addition
叢書名稱Palgrave Studies in Literature, Science and Medicine
圖書封面Titlebook: Contagion and the Shakespearean Stage;  Darryl Chalk,Mary Floyd-Wilson Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Disea
描述.This collection of essays considers what constituted contagion in the minds of early moderns in the absence of modern germ theory.?In a wide range of essays focused on early modern drama and the culture of theater, contributors explore how ideas of contagion not only inform representations of the senses (such as smell and touch) and emotions (such as disgust, pity, and shame) but also shape how people understood belief, narrative, and political agency.?Epidemic thinking was not limited to medical inquiry or the narrow study of a particular disease.?Shakespeare, Thomas Middleton, Ben Jonson, Thomas Dekker and other early modern writers understood that someone might be infected or transformed by the presence of others, through various kinds of exchange, or if exposed to certain ideas, practices, or environmental conditions.?The discourse and concept of contagion provides a lens for understanding early modern theatrical performance, dramatic plots, and theater-going itself..
出版日期Book 2019
關(guān)鍵詞Disease; Early Modern; Emotion; Theatre; Passions; Audience; Shakespeare; Performing Shakespeare; Contagion;
版次1
doihttps://doi.org/10.1007/978-3-030-14428-9
isbn_softcover978-3-030-14430-2
isbn_ebook978-3-030-14428-9Series ISSN 2634-6435 Series E-ISSN 2634-6443
issn_series 2634-6435
copyrightThe Editor(s) (if applicable) and The Author(s) 2019
The information of publication is updating

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發(fā)表于 2025-3-21 20:31:42 | 只看該作者
Contagion and the Shakespearean Stage978-3-030-14428-9Series ISSN 2634-6435 Series E-ISSN 2634-6443
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發(fā)表于 2025-3-22 00:41:02 | 只看該作者
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https://doi.org/10.1007/978-3-030-14428-9Disease; Early Modern; Emotion; Theatre; Passions; Audience; Shakespeare; Performing Shakespeare; Contagion;
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發(fā)表于 2025-3-22 12:04:20 | 只看該作者
978-3-030-14430-2The Editor(s) (if applicable) and The Author(s) 2019
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發(fā)表于 2025-3-22 16:31:55 | 只看該作者
https://doi.org/10.1007/978-3-662-24798-3at early modern writers devoted constant attention to the possibility of contagious transmission, the notion that someone might be infected or transformed by the presence of others, through various kinds of exchange, or if exposed to certain ideas, practices, or environmental conditions, and they of
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發(fā)表于 2025-3-22 23:18:26 | 只看該作者
,Erd?l und seine Verarbeitungsprodukte,ify them, it becomes a potent signifier of the agency they possess to voice their views, and ultimately, to infect the body politic. This chapter shows how the crowd’s repulsive smells are mirrored in the material conditions of the playhouse’s smoky atmosphere. All the smells in the playhouse—dung,
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發(fā)表于 2025-3-23 08:45:33 | 只看該作者
https://doi.org/10.1007/978-3-662-24804-1 important facet of hospitality and the extreme suspicion and jealousy expressed regarding kissing in contemporary texts, particularly dramas, and identifying key cultural beliefs linking kissing and spirituality through the medium of breath. In particular, she examines the way in which William Shak
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