Titlebook: Consuming Cultural Hegemony; Bollywood in Banglad Harisur Rahman Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive

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Strategisches Kompetenz-Managementr to the production and representation of ethnographic knowledge. As I have done this research in my own social and cultural setting, this research has been immensely influenced and shaped by my own experience, memory and understanding of film and media. My ethnographic self has been a valuable reso

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What Have Eggs Got to Do with Inequality?l entities such as media infrastructures; it also encompasses images or visuals. At the same time, by materiality, I do not mean that entities such as media determine human culture; instead, both are constitutive and interactive with each other within socioeconomic and political spaces.

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https://doi.org/10.1007/978-3-658-11663-7theorized within a general framework of semiotics” (2011, p. 299). Spectatorship was used as a theoretical concept to consider how film viewers are constituted, positioned and fixed by the textual aspects of films. In earlier studies, audiences had been assumed to constitute a homogenous category an

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https://doi.org/10.1007/978-3-658-11789-4delved into my own experience to show how my own film-watching habits were aligned with the urban middle-class environment. The enthusiasm for watching Hindi film over other films is not solely an individual’s personal or arbitrary choice; it is also linked with their social origin and cultural capi

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Ethnographic Fieldwork: The Self as an Informant and an Observer,r to the production and representation of ethnographic knowledge. As I have done this research in my own social and cultural setting, this research has been immensely influenced and shaped by my own experience, memory and understanding of film and media. My ethnographic self has been a valuable resource for my research.

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