Titlebook: Consumerism, Waste, and Re-Use in Twentieth-Century Fiction; Legacies of the Avan Rachele Dini Book 2016 The Editor(s) (if applicable) and

arabesque

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Waste in Donald Barthelme, J.G. Ballard, and William Gaddis,974), and . (1975); and William Gaddis’ . (1975). Each of these novels makes use of waste to question the cultural toll of consumerism, and the methods they use radically alter the scope of the novel form. The role of waste in these texts is profoundly indebted to Surrealism, while the writers thems

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neuron

Conclusion,that reflects the all pervasiveness of neoliberalism and the ineffability of global warming. Following a discussion of waste’s role in a select number of postmillennial texts—including by Don DeLillo, Jennifer Egan, and Michel Faber—Dini provides three in-depth sections on Thomas Pynchon’s . (2013),

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MILK

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fetter

978-1-349-95496-4The Editor(s) (if applicable) and The Author(s) 2016

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Schlussbetrachtung und Ausblickowing novelists a means to counter modernity’s love of the new. This approach relies on a dual understanding of waste as both “matter out of time” and an “unfinished process” ever capable of being reversed, and recognition that such categorisations are often extended to human beings, too. While the

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