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Titlebook: Constructing Monsters in Shakespeare‘s Drama and Early Modern Culture; Mark Thornton Burnett Book 2002 Palgrave Macmillan, a division of M

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書目名稱Constructing Monsters in Shakespeare‘s Drama and Early Modern Culture
編輯Mark Thornton Burnett
視頻videohttp://file.papertrans.cn/237/236037/236037.mp4
叢書名稱Early Modern Literature in History
圖書封面Titlebook: Constructing Monsters in Shakespeare‘s Drama and Early Modern Culture;  Mark Thornton Burnett Book 2002 Palgrave Macmillan, a division of M
描述Constructing ‘Monsters‘ in Shakespearean Drama and Early Modern Culture argues for the crucial place of the ‘monster‘ in the early modern imagination. Burnett traces the metaphorical significance of ‘monstrous‘ forms across a range of early modern exhibition spaces - fairground displays, ‘cabinets of curiosity‘ and court entertainments - to contend that the ‘monster‘ finds its most intriguing manifestation in the investments and practices of contemporary theatre. The study‘s new readings of Shakespeare, Marlowe and Jonson make a powerful case for the drama‘s contribution to debates about the ‘extraordinary body‘.
出版日期Book 2002
關(guān)鍵詞England; Shakespearean drama; William Shakespeare; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781403919359
isbn_softcover978-1-349-42294-4
isbn_ebook978-1-4039-1935-9Series ISSN 2634-5919 Series E-ISSN 2634-5927
issn_series 2634-5919
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2002
The information of publication is updating

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,‘The strangest men that ever Nature made’: Manufacturing ‘Monsters’ in , at work here, the first elevating Marlovian drama above the meaner business of contemporary ‘clownage’, the second paralleling a distinction between the action of the stage and the higher rhetoric of the playwright’s ‘tent of war’. Both, however, harbour a more pressing function — the imperative to
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,‘Monsters’ and ‘Molas’: Body Politics in ,ge is the evocation of three ‘extraordinary’ productions — a partly consumed infant, a ‘monster’ (the so-called ‘leech’) and what was described in the period as a ‘mola’, an essentially shapeless composition of flesh that frequently appeared before a ‘natural’ term was completed. This is, then, a bi
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978-1-349-42294-4Palgrave Macmillan, a division of Macmillan Publishers Limited 2002
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