Titlebook: Constructing Crime; Discourse and Cultur Christiana Gregoriou (Lecturer in English Language Book 2012 Palgrave Macmillan, a division of Mac

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Maintainability and Developmentxities of public reaction being aimed at. In an equally international context, Lucy Evans takes us into Jamaican literature and film, and finds uncomfortable influences of the gangster/badman and ‘cowboy’, heroic-outlaw-like figure in character action, while also looking at the stereotype of the bla

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Reengineering and Reverse Engineeringmagination; an AOL News reporter observes that Coke became ‘a(chǎn) larger-than-life figure in Jamaica’ (‘Is Jamaica’s most wanted man like Robin Hood?’ 2010). In this respect, Coke’s story resembles that of a criminal from the 1940s, Ivanhoe Martin, nicknamed Rhygin. According to Thelwell (1992:182), Rhy

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Private Military and Security Companies their findings of fact, and reach those findings on the balance of probabilities rather than claiming that they are ‘beyond reasonable doubt’. A finding reached by the narrowest margin of probability is as much a ‘fact’ for legal purposes as one that is beyond dispute. As Lord Hoffman put it in one case of alleged child sexual abuse:

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Reengineering and Reverse Engineering crime) (Bernaldo de Quirós 1906). In this chapter, my interest lies in considering how crime and lesser wrongdoings were represented in texts of popular culture in Spain, and the modes of understanding of wrongdoers that were called up by their visual portrayals..

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