Titlebook: Constructing Coleridge; The Posthumous Life Alan D. Vardy Book 2010 Palgrave Macmillan, a division of Macmillan Publishers Limited 2010 bi

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https://doi.org/10.1057/9780230283091bibliography; Coleridge; death; editing; Friedrich Heinrich Jacobi; knowledge; love; media; Samuel Taylor Co

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978-1-349-36553-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2010

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Introduction,life and various public personae are rife with apparent contradic-tions, and, second, in that there are considerable stakes in determining which Coleridge prevails. Which Coleridge is dominant in itself is not a question that is or can be settled, and much of the focus of this book will be on the hi

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,‘Ungentlemanly Productions: De Quincey and Scandal’,ted himself as the sole qualified reader of Coleridge’s corpus and recounted his first meeting with the great man and their subsequent associations. He did not stop there, however, but went on to detail Coleridge’s erratic personal history. He also asserted that Coleridge, his friend and mentor, had

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,Henry’s Book, in his, perhaps too vigorous, attack on the veracity of her husband, Henry Nelson Coleridge’s edition of ‘specimens’ of their father’s .. Derwent struck a conciliatory tone, both admitting the merit of Hartley’s view that: ‘It [the volume] is, and could not but have been, fragmentary in respect to

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,Her Father’s ‘Remains’: Editing and Filial Love,d.. His premature death had forced the roles of editor and literary executor onto Sara. She went through the motions of deferring to the other executors and the men in the immediate family circle by offering the job of rebutting Ferrier in an Afterword for the new edition of . to Green, and speculat

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