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Titlebook: Constitutions of Self in Contemporary Irish Poetry; ‘Into the Light’ Wit Pietrzak Book 2022 The Editor(s) (if applicable) and The Author(s)

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21#
發(fā)表于 2025-3-25 06:34:01 | 只看該作者
22#
發(fā)表于 2025-3-25 09:35:47 | 只看該作者
Mahmoud Amgad,Omar M. Galal,Ayman Wanasur. He has observed that ‘there needs to be room for humor in poetry’ and to that effect, he has produced some of the funniest poems since Muldoon’s word-savvy, punning riddles, even if Laird’s lighthearted attitude is shot through with a sense of disillusionment with modern life. For Laird evokes a
23#
發(fā)表于 2025-3-25 12:17:41 | 只看該作者
24#
發(fā)表于 2025-3-25 17:30:41 | 只看該作者
Fortschritt und Nachhaltigkeit,In her poetry, Sinéad Morrisey has been preoccupied with notions of stability and motion ever since her debut collection . (1996), which ‘negotiates the intersections of private and public spaces in the North’, as her ‘double visions’ respond to the feelings of dislocation and being permanently caught between places.
25#
發(fā)表于 2025-3-25 23:31:35 | 只看該作者
Unicompartmental Knee ArthroplastyCaitríona O’Reilly’s poetry, like few others’, traverses vast swathes of imaginary material in formally-accomplished, compact lyrics that, nonetheless, exude an air of mastery over the difficult material they approach.
26#
發(fā)表于 2025-3-26 01:16:08 | 只看該作者
https://doi.org/10.1007/978-3-031-48517-6Alan Gillis’s poetry often focuses on the post-Good Friday Agreement situation of Northern Ireland, evoking a world in which the former binaries of friend and foe have been refashioned but not abandoned.
27#
發(fā)表于 2025-3-26 08:23:12 | 只看該作者
,Between Detection and Deception: Paul Muldoon’s ,Paul Muldoon’s work has long been infused with references, both thematic and broadly structural, to the genre of the detective story. Already his debut collection . (1973) features a number of miniatures that are built around some mysterious events to which the poems leave clues.
28#
發(fā)表于 2025-3-26 09:18:17 | 只看該作者
,‘Lady Other, Lady Mine’: Angles of Vision and the Materialist Self in Sinéad Morrissey’s ,In her poetry, Sinéad Morrisey has been preoccupied with notions of stability and motion ever since her debut collection . (1996), which ‘negotiates the intersections of private and public spaces in the North’, as her ‘double visions’ respond to the feelings of dislocation and being permanently caught between places.
29#
發(fā)表于 2025-3-26 14:12:22 | 只看該作者
,The Enduring Self: Caitríona O’Reilly’s ,Caitríona O’Reilly’s poetry, like few others’, traverses vast swathes of imaginary material in formally-accomplished, compact lyrics that, nonetheless, exude an air of mastery over the difficult material they approach.
30#
發(fā)表于 2025-3-26 16:56:00 | 只看該作者
,‘Flurred and Flummoxed but Unbleared’: Revivification of the Self in Alan Gillis’s ,Alan Gillis’s poetry often focuses on the post-Good Friday Agreement situation of Northern Ireland, evoking a world in which the former binaries of friend and foe have been refashioned but not abandoned.
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