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Titlebook: Conrad‘s Eastern Vision; A Vain and Floating Agnes S. K. Yeow Book 2009 Palgrave Macmillan, a division of Macmillan Publishers Limited 200

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書目名稱Conrad‘s Eastern Vision
副標(biāo)題A Vain and Floating
編輯Agnes S. K. Yeow
視頻videohttp://file.papertrans.cn/236/235666/235666.mp4
圖書封面Titlebook: Conrad‘s Eastern Vision; A Vain and Floating  Agnes S. K. Yeow Book 2009 Palgrave Macmillan, a division of Macmillan Publishers Limited 200
描述This book traces the dialogic relation between Conrad‘s Eastern fiction and other histories, arguing that it is in the intersections of art and history that we locate Conrad‘s irony. In a direct response to the visual culture of his times, Conrad sets up his fictional world as a hallucinated mirage stressing the veracity of his own Eastern vision.
出版日期Book 2009
關(guān)鍵詞art; bibliography; chronology; culture; fiction; history; history of literature; irony; knowledge; english
版次1
doihttps://doi.org/10.1057/9780230583283
isbn_softcover978-1-349-36084-0
isbn_ebook978-0-230-58328-3
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2009
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Coda,familiar’ to the reader. In the scramble to represent the East for the crowds of readers back home, Conrad joins the ranks of colonial administrators like Hugh Clifford and Frank Swettenham, who also wrote versions of the ‘Malay’ and the Malay world. Indeed, the fact that acknowledged authorities li
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https://doi.org/10.1007/978-0-387-09676-6onrad’s romantic and no less compelling account of a fictional native state and its inhabitants, . . as it were. Cedric Watts has pointed out that Mohammed Bonso, Doramin, Tamb Itam and Tunku Allang are characters gleaned from McNair’s narrative (Watts, 1986: 363–4). In ., Rajah/Tunku Allang’s excla
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