Titlebook: Conrad and Masculinity; Andrew Michael Roberts Book 2000 Andrew Michael Roberts 2000 fiction.gender.women

compel

978-1-349-39816-4Andrew Michael Roberts 2000

弄皺

搖曳的微光

SLAY

https://doi.org/10.1007/3-540-30968-3n, and the myriad other professions which followed, from hotel-keepers to accountants. This is particularly so of his early fiction up to and including ., which will be the focus of this chapter and the next.

與野獸博斗者

Exhilarate

modish

observatory

Introduction, ideas about women to analyse gendered structures in his fiction and to bring masculinity into question. During the 1990s, alongside increasingly sophisticated feminist critiques (and defences) of Conrad’s portrayal of women,. a debate around masculinity in Conrad began to develop in works by Padmin

Valves

,Masculinity, ‘Race’ and Empire: ,n, and the myriad other professions which followed, from hotel-keepers to accountants. This is particularly so of his early fiction up to and including ., which will be the focus of this chapter and the next.

鑒賞家

,Epistemology, Modernity and Masculinity: ‘Heart of Darkness’,aphna Erdinast-Vulcan argues plausibly for a pervasive tension in Conrad’s work between, on the one hand, a quest for epistemological and ethical certainty and, on the other, a relativistic scepticism about the possibility of such certainty.. There is general agreement, however, that Conrad’s fictio