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Titlebook: Confronting Visuality in Multi-Ethnic Women’s Writing; Angela Laflen Book 2014 Angela Laflen 2014 culture.fiction.history of literature.Tr

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發(fā)表于 2025-3-21 18:28:55 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Confronting Visuality in Multi-Ethnic Women’s Writing
編輯Angela Laflen
視頻videohttp://file.papertrans.cn/236/235452/235452.mp4
圖書封面Titlebook: Confronting Visuality in Multi-Ethnic Women’s Writing;  Angela Laflen Book 2014 Angela Laflen 2014 culture.fiction.history of literature.Tr
描述Considering new perspectives on writers such as Toni Morrison, Margaret Atwood, and Louise Erdrich, Confronting Visuality in Multi-ethnic Women‘s Writing traces a cross-cultural tradition in which contemporary female writers situate images of women within larger contexts of visuality.
出版日期Book 2014
關(guān)鍵詞culture; fiction; history of literature; Tradition; women
版次1
doihttps://doi.org/10.1057/9781137413048
isbn_softcover978-1-349-48977-0
isbn_ebook978-1-137-41304-8
copyrightAngela Laflen 2014
The information of publication is updating

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發(fā)表于 2025-3-22 00:11:57 | 只看該作者
(Re)Visualizing History in Toni Morrison’s rature for its role in this process of erasure, suggesting that though “the major and championed characteristics of our national literature” are “responses to a dark, abiding, signing Africanist presence” (5), “in matters of race, silence and evasion have historically ruled literary discourse” (9).
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Transforming Culture and Consciousness in Bobbie Ann Mason’s ng mall… they’re looking at deliverance from a hard way of life” (“Bobbie Ann Mason’s Border States”). Though Mason does not judge her characters, or readers, for being attracted to popular and consumer culture, she does seek to help them develop a critical perspective with which to evaluate the pos
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The Politics of Vanishingor the other writers included in . because, as a writer of mixed German American and Ojibwe descent,. Erdrich offers a perspective that reflects her experiences with both cultures. She has described herself as “on the edge” (. 111), and David Stirrup asserts that “written from this place, Erdrich’s
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發(fā)表于 2025-3-22 18:42:54 | 只看該作者
Conclusion Confronting Visuality in the Digital Ageodels of spectatorship that did not take into account differences between women based on race and sexuality. As bell hooks asked incredulously in 1992, “Are we really to imagine that feminist theorists writing only about the image of white women, who subsume this specific historical subject under th
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發(fā)表于 2025-3-23 07:06:49 | 只看該作者
Ioana Goganau MD,Armin Blesch PhDs intensive engagement with visuality, however, women’s very real social and political gains have been met with a “postfeminist sensibility” in the media that draws on feminist ideas and rhetoric but frequently puts these to the service of decidedly antifeminist aims and representations (Gill 247)..
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