Titlebook: Conceptualizing Culture in Social Movement Research; Britta Baumgarten,Priska Daphi,Peter Ullrich Book 2014 Palgrave Macmillan, a division

Hallucination

書目名稱Conceptualizing Culture in Social Movement Research影響因子(影響力)




書目名稱Conceptualizing Culture in Social Movement Research影響因子(影響力)學科排名




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書目名稱Conceptualizing Culture in Social Movement Research網(wǎng)絡公開度學科排名




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書目名稱Conceptualizing Culture in Social Movement Research被引頻次學科排名




書目名稱Conceptualizing Culture in Social Movement Research年度引用




書目名稱Conceptualizing Culture in Social Movement Research年度引用學科排名




書目名稱Conceptualizing Culture in Social Movement Research讀者反饋




書目名稱Conceptualizing Culture in Social Movement Research讀者反饋學科排名

枯萎將要

Culture and Activism across Bordersbout the nation state as a concept and its loss of impact on various areas of people’s lives. The contribution of this text will be to argue why the national is still important for transnational activism and to outline some of the forces of the nation state that are responsible for cultural differen

不朽中國

Comparing Discourse between Cultures: A Discursive Approach to Movement Knowledgehion, the well-known and at times politically active German poet Günter Grass wrote a poem (“What has to be said”) about his fears of an Israeli attack on Iran, which in his view may “exterminate the Iranian people” — an allusion to the Nazi extermination of Jews. Some pro-Palestinian activists hail

cathartic

Movement Culture as Habit(us): Resistance to Change in the Routinized Practices of Resistancer a sense of collective belonging or cohesion in movement groups, within the context of deliberative and coordinating practices. This forms part of a larger agenda to show how social theory, broadly defined, rather than social . theory, narrowly conceived as a self-contained and self- referential su

王得到

Memory and Culture in Social Movementsred in images, stories, or performances, or discursive forms. How do conflicting or contradictory memories about the past inside movement groups condition activists’ ability to speak, write, and even think about the future? While previous work conceived of memory in movements as a subcategory of nar

我怕被刺穿

Embodying Protest: Culture and Performance within Social Movementsalogical nature of culture (Fantasia and Hirsch 1995; Polletta 1997; Steinberg 1999), there has been little attention paid to the role of performance in forging alternative emotions, meanings, and identities among activists (but see Fine 1995; Eyerman 2006; Tilly 2008; Hohle 2009).

我怕被刺穿

精密

Towards the Comprehensive Universityhion, the well-known and at times politically active German poet Günter Grass wrote a poem (“What has to be said”) about his fears of an Israeli attack on Iran, which in his view may “exterminate the Iranian people” — an allusion to the Nazi extermination of Jews. Some pro-Palestinian activists hail

Cardiac

https://doi.org/10.1007/978-1-349-17149-1r a sense of collective belonging or cohesion in movement groups, within the context of deliberative and coordinating practices. This forms part of a larger agenda to show how social theory, broadly defined, rather than social . theory, narrowly conceived as a self-contained and self- referential su

終端

Chinese Society and Foreign Relationsred in images, stories, or performances, or discursive forms. How do conflicting or contradictory memories about the past inside movement groups condition activists’ ability to speak, write, and even think about the future? While previous work conceived of memory in movements as a subcategory of nar