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Titlebook: Conceiving Virtuality: From Art To Technology; Joaquim Braga Book 2019 Springer Nature Switzerland AG 2019 virtuality.Gilles Deleuze.philo

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書目名稱Conceiving Virtuality: From Art To Technology
編輯Joaquim Braga
視頻videohttp://file.papertrans.cn/235/234846/234846.mp4
概述Provides a multidisciplinary study on the various extensions of the concept of “the virtual”.Expands the thematic scope of virtuality.Contributes to the theoretical redefinition of the concept of “the
叢書名稱Numanities - Arts and Humanities in Progress
圖書封面Titlebook: Conceiving Virtuality: From Art To Technology;  Joaquim Braga Book 2019 Springer Nature Switzerland AG 2019 virtuality.Gilles Deleuze.philo
描述This book provides new theoretical approaches to the subject of virtuality. All chapters reflect the importance of extending the analysis of the concept of “the virtual” to areas of knowledge that, until today, have not been fully included in its philosophical foundations. The respective chapters share new insights on art, media, psychic systems and technology, while also presenting new ways of articulating the concept of the virtual with regard to the main premises of Western thought.?.Given its thematic scope, this book is intended not only for a philosophical audience, but also for all scientists who have turned to the humanities in search of answers to their questions.?.
出版日期Book 2019
關(guān)鍵詞virtuality; Gilles Deleuze; philosophy of science; art and philosophy; philosophy and technology; psychic
版次1
doihttps://doi.org/10.1007/978-3-030-24751-5
isbn_softcover978-3-030-24753-9
isbn_ebook978-3-030-24751-5Series ISSN 2510-442X Series E-ISSN 2510-4438
issn_series 2510-442X
copyrightSpringer Nature Switzerland AG 2019
The information of publication is updating

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Sonic Virtuality, Environment, and Presence,amework that has since been used to provide an explanation of the formation of environments. Additionally, the article uses such concepts to explain the phenomenon of presence, not only in virtual worlds but also in actual worlds. The view put forward is that environment is an emergent perception, f
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Digital Fabrication and Its Meanings for Photography and Film, protesting. Today CGI stands as a further counter, in addition to past objections such as editing, animation and blue screen. Also central in debates is whether photography is transparent, that is, whether it allows us to see things in other times and places. I maintain photography is transparent,
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